All posts by Jennifer Klitzke

USA Légèreté with Linda Kaye Hollingsworth-Jones

Nothing beats one-on-one coaching.

My naturally gaited Tennessee walking horse and I put 7 years of DVD and book study to practice at the Légèreté clinic with Linda Kaye Hollingsworth-Jones. 

USA Légèreté with Linda Kaye Hollingsworth-Jones

By Jennifer Klitzke

In October 2019, owners Rick and Kari of the Schmitt Training Center in Sommerset, WI hosted the first Midwestern Légèreté clinic with Certified Master Instructor Bertrand Ravoux from France. This year COVID-19 put a halt to Bertrand’s USA travels. We’ve also learned that further clinics with him need to be filled with committed instructor-in-training students to expand USA Légèreté.

So this year Rick and Kari reached out to USA Légèreté Level One Certified Instructor Linda Kaye Hollingsworth-Jones of Idaho to continue our study. I was thrilled to participate as a student with my naturally gaited Tennessee walking horse, Makana. She was the only gaited horse among impressive breeds: Lusitano, Zweibrücken, Selle Français, Holsteiner, Dutch Warmblood, Norwegian Fjord, Arabian and Thoroughbred. Horses and riders ranged from starting Légèreté to those schooling, extended trot, tempe changes, and piaffe.

My DVD library of Classical French Dressage Master Philippe Karl that I continue to resource as I learn this method with my naturally gaited horses and trotting horses.
My DVD library of Classical French Dressage Master Philippe Karl that I continue to resource as I learn this method with my naturally gaited horses and trotting horses.

Last year’s clinic with Bertrand Ravoux was a perfect introduction to Légèreté. This year, Linda’s clinic took me to the next level of understanding. Not only is she a knowledgeable and experienced rider, trainer and teacher of Légèreté, she is hilarious, personable, and gives each student and horse 110% attention. 

The first day, Linda began by riding each horse through the Légèreté  program to realize the horse’s needs. 

The Légèreté program begins at a slow, organized walk in this sequence of exercises:

  • Fléchi droit: stretching the outside neck muscles while the horse’s body remains straight
  • Neck extensions: stretching the spine and top line while maintaining balance
  • Counter bends: checking shoulder mobility
  • Shoulder in and haunches in on a circle: checking hindquarter mobility
  • Transitions between shoulder in and haunches in along the wall in preparation for half pass
  • Half pass to reverse pirouette
  • Then checking the trot (or gait) and canter

We watched Linda ride each horse in relaxation and lightness to the hand and leg through this sequence of exercises and beyond. We watched her organize her aids to organize each horse into balance. Within 20 minutes, we even watched her ride the advanced horses in extended trot, tempe changes and piaffe!

Riding unfamiliar horses. Horses that didn’t know her. Some were new to the program of Légèreté. Within 20 minutes Linda had a plan to meet each horse’s needs. This truly demonstrated her vast  riding and training knowledge and abilities. Plus, she had the endurance to provide each student 110% through the three-day clinic. Wow!

Each student rode the remainder of the lesson(s) while Linda coached them through the program of Légèreté and into their horse’s training needs:

  • Teaching the rider to organize their rein, leg, seat and weight aids
  • Coaching the rider to organize the horse into balance, lightness, and engagement beginning at a slow organized walk and then into an organized trot (or gait) and canter
  • Organized for the horse means as slow as needed in each gait so that all four legs are under the horse’s body mass

Some of the horses at the clinic were gifted with elegant, long-striding movement. This includes Makana, my naturally gaited Tennessee walking horse who loves to be long from nose to tail. Long-striding gaits make up part of the full range of motion. Horses also need to develop  shorter, collected, carrying steps. These body-building movements develop different muscles and a more balanced posture by folding the hindquarters and bending the hock joints. This collection helps the horse sit behind more in order to raise the wither and lift the chest, head and neck.

Since long-striding movement comes naturally for Makana, Linda introduced her to a more collected and organized walk and smooth gait using the exercises and progression of Légèreté . The organized smooth gait is shorter steps that are more balanced where all four legs are beneath the body mass. This is new for Makana as I have always pursued the longest stride length in her smooth gait. This doesn’t mean I replace the long striding smooth gaits, the organized smooth gait is another smooth gait on cue that builds new muscles for the full range of motion.

The purpose of the shorter-striding movements are not to replace the long-striding gaits, rather improve them and expand upon the full range of motion.

fléchi droit
Fléchi droit is a warm up exercise that stretches the outside neck muscles while riding the horse’s body straight. This teaches the horse how to travel in a straight line with the neck bent 45-90 degrees to the inside before teaching circles. This exercise teaches the horse to be balanced equally on both shoulders without collapsing to the inside shoulder. It is important to establish this shoulder balance before teaching circles, otherwise the horse will learn to fall onto the inside shoulder.
fléchi droit
Linda coaching me in a fléchi droit on a circle where I organize my aids to organize the horse to stretch the outside neck muscles while riding her body on the arc of a circle.
Neck extension
Neck extension: Allowing the horse to stretch out and down, yet not lower than the poll (between the ears) at wither height in order to maintain balance.
neck extension
Linda coaching me from the fléchi droit to a neck extension to stretch without rushing or falling on the forehand. I raise my hands so that I make contact with the less sensitive corners of my horse’s lips instead of pulling back with low hands that would press on the tongue.
Counter bend neck rein turns
Counter bend neck rein turns are the next exercise to see how mobile the horse’s shoulders are. This can be done on a serpentine, circle, square or random squiggle.
Counter bend neck rein turns
Linda coaches me in organizing my rein aids in timing with my horse’s front leg steps. First slightly bend to the outside and see the outside eye, then draw both hands over as the horse steps forward with the outside leg and to the inside with the inside leg which shifts weight to the inside shoulder.
Travere or Haunches In
Shoulder in, Travere or Haunches In on a circle are great exercises to test the mobility of the hind leg stepping under the belly. In Legerete, the angle varies according to what the horse needs in building mobility instead of sticking to a rule of three tracks.
Travere or Haunches In
After shoulder in, Linda coaches me in organizing my rein, leg, seat and weight aids to draw my horse’s haunches into the circle in proper timing with her outside hind leg stepping under her belly.
Renvers or haunches out
Renvers or haunches out is another exercise to check the mobility of the hindquarters.
half pass
Then we proceeded to shoulder in and haunches in along the wall to prepare for half pass. Linda rides Makana from the wall to the centerline in a half pass at a walk. Then at the centerline, she directs Makana into a reversed pirouette.
half pass
The shoulder in and travere prepare my horse for the half pass. Here Linda coaches me in organizing my rein, leg, seat and weight aids to organize Makana to equally step under and over with the hind leg and over with the shoulder in the direction of the bend.
Organized Smooth Gait
Once Makana became more balanced, light and engaged through the exercises, Linda asks for an organized and balanced smooth gait which is on the fox trot spectrum.
Rein back
Linda coaches me through several transitions of rein back to organized walk. The rein back steps need to be smaller so that she sits behind.
poll flexion
Makana maintains a nice poll flexion in the rein back, organized walk, and  lateral exercises yet tends to open the poll at the organized smooth gait.
Organized smooth gait
Linda helps me organize the poll flexion at an organized walk before the transition to the organized smooth gait.

Then Linda coached me through transitions of organized walk travere (haunches in) on a small volte to the organized smooth gait, as well as transitions of rein back to organized walk and organized smooth gait. These transitions help Makana fold more behind, sit, engage and be higher in the wither and lifted in the chest, head and neck. Her organized smooth gait still has a head nod, yet not as pronounced as the flat walk.

rein back
Linda is coaching us with two whips. One asks the hind legs not to step behind the tail and to fold more. The other whip encourages the haunches to bend.
piaffe steps
Linda says that a true piaffe is when the hind quarters bend and lower, the base becomes shorter, and the wither raises. A true piaffe doesn’t need a jump step. Some horses gifted in passage have a harder time learning piaffe and tend to passage in place. They have a harder time shortening the base.
cantering the gaited horse
The final exercise Linda coaches us through is rein back to steps of piaffe to canter. Because piaffe is a diagonal gait, it is great for the gaited horse to learn in order to improve canter quality.

For me, being a student with my naturally gaited Tennessee walking horse in this Légèreté clinic connected many dots in my book and DVD studies. Linda thanked me for bringing such a well-schooled Tennessee walking horse to the clinic—something outside the norm (both a gaited horse at a Légèreté clinic and a well-schooled Tennessee walking horse in Légèreté principles).

My biggest Légèreté clinic takeaways with Linda

The importance of being an organized rider

  • The organization and effective timing of the rider’s leg, rein, seat, and weight aids in order for the horse to become organized

The importance of rider awareness of the horse being light to the hand and leg

  • Becoming immediately aware of heaviness on the rein with a prompt demi-arête and immediate release when the horse stops being heavy
  • Becoming aware of the horse’s light responsiveness to the leg and following up with the whip when needed and an immediate cease of the leg or whip when the horse responds

The sequential progression of the Legerete program

  • Flechi droit: stretching the outside neck muscles
  • Neck extension: stretching the spine and top line
  • Counter bends: checking the mobility of the shoulders
  • Shoulder in and haunches in on a circle: checking the mobility of the hindquarters
  • Shoulder in and haunches in along the wall in preparation for half pass
  • Half pass to reverse pirouette
  • Then checking the trot (or gait) and canter
  • Then once my horse is in balance, maintain it through the next neck extension; the importance of not throwing the horse onto the shoulders once balance has been established

Redirecting Makana’s ideas of opening the poll at will by teaching her poll flexion

  • Allowing the horse an open poll is one thing; the horse choosing an open poll is another and Linda helped me become aware of this

The importance of continual transitions between exercises, gaits, and direction to improve balance, lightness, strength, and lightness

  • Riding transitions often pointed out to me my need to ride more of them, such as preparing Makana in an organized walk on a counter bend volte or a haunches in volte before releasing her to an organized gait down the long side of the arena and transitioning to an organized walk volte at the other end instead of riding several minutes of consecutive unorganized gait

The importance of working the horse’s full range of motion not just the gaits that come natural for the horse

  • This means educating the horse in stretching and body-building exercises both laterally and longitudinally, actively forward and long elegant strides, as well as slow, engaged, short, balanced, carrying steps to improve the quality of all gaits and full range of motion

Using diagonal exercises to break lateral movement such as improving canter quality using diagonal transition exercises as rein back to piaffe to canter and shoulder in and travere on a volte at an organized walk to an organized smooth gait

Teach the horse how mobilize its shoulders in balance

  • Last year Bertrand introduced the counter-bend turns to mobilize the shoulders which has made both of my naturally gaited horses much lighter, more balanced and has improved Lady’s gaits
  • For the horse that is heavy on the forehand (collapsing one or both shoulders) and continually leaning on the hands, a terrific exercise is counter bending the horse just enough to see the outside eye and neck reining with both hands to the opposite direction in timing with the shoulder movements. This is key!
  • By neck rein, it means that the rider draws both hands to the opposite side of the bend. This teaches the horse to move the shoulders. If the horse isn’t moving the shoulders, then the rider makes sideways nudges in timing with the front leg steps until the horse moves or a light tap with the whip on the outside shoulder. (Don’t use the inside leg in this exercise because it will talk to the hind leg instead of the shoulder). This is also key! 
  • This counter bend neck rein exercise can be done on a circle, figure 8, or serpentine changing the bend at each short side to the counter bend and walking straight between bends to the next counter bend loop. Or in a random squiggle so that the horse has to pay attention to the rider

Friends, I highly encourage you to purchase Philippe Karl’s DVDs and books.

Book: Twisted Truths of Modern Dressage

DVDs: Classical vs Classique
Classical Dressage, Parts 1-4

The School of Légèreté, Parts 1 & 2

You will not be disappointed. If you live near a Légèreté clinic, it is a must see! There is discussion about having Linda back for another clinic. No doubt, I will be there as an auditor or rider for sure.

Ecole de Légèreté 

I will continue to share approved photos from the Ecole de Légèreté community on the Naturally Gaited Facebook page. Make sure you “like” and “follow” to stay connected.

flechi droit
Practicing flechi droit at home after the clinic.

Stay tuned. I share my application of what I learned in the clinic with my naturally gaited horses in future posts. I am especially excited to apply all that I learned with Lady, my naturally gaited fox trotting horse in helping her be light to the hand and help my naturally gaited Tennessee walking horse be more balanced.

rein back
Practicing rein back with smaller steps that bend and fold the hind quarters.
piaffe
Since the clinic our piaffe steps are becoming more purely diagonal.

If you are on this gaited dressage journey, I’d love to hear from you. Contact us»

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How to get on a horse that doesn’t want to stand

Getting on the horse that doesn't want to stand

Do you have a horse that walks off the minute you put your foot in the stirrup? Here’s a tip I learned that helps my horse relax and stand at the mounting block.

By Jennifer Klitzke

When my naturally gaited Tennessee walking horse, Makana, was four years old, I took her to her first gaited dressage clinic with Bucky Sparks. I was so excited to be there and begin our gaited dressage journey.

I love Bucky’s teaching philosophy. He blends traditional dressage with practical elements of natural horsemanship. The former is what I came to the clinic for. However, I am forever grateful for the latter as I don’t know we would have learned much of the former if it hadn’t been for the latter.

You see, most of the time Makana stands perfectly at the mounting block until I get on, unless she is nervous. When my lesson time I was unable to get on. Every time I put my foot in the iron, Makana would walk off.

Thanks to Bucky, he showed me a helpful tip that worked that day and has helped me any time Makana doesn’t want to stand at the mounting block.

Watch: How to get on a horse that doesn’t want to stand

How to get on a horse that doesn’t want to stand:

1. Teach the horse to turn their head and neck to the side by slowly and gently drawing one rein to the saddle. Reward the horse by releasing as soon as the horse follows. Relaxation is the goal, not making the horse turn. Signs of relaxation include a lowering of the head and neck and when the horse licks and chews.

If the horse has tension in the poll, neck or shoulder, address these areas individually to release the tension before expecting a soft and relaxed turn to the side.

2. Once the horse understands how to turn to the side and is soft and relaxed, then turn the horse until the horse chews and lowers its head and neck. Then release the rein for a reward. Repeat this a couple more times.

3. Then turn the horse’s head and neck to the saddle and keep the horse turned while repositioning the mounting block and getting on. Then release the rein as a reward and encourage the horse to remain standing.

If the horse continues to walk off while turned to the saddle

During the clinic my horse kept walking off while in a turned position.

Bucky said, “You can’t make a horse stand.”

Don’t punish the horse. Just remain calm to encourage relaxation, keep the horse turned and gently follow the horse around. Pretty soon the horse will discover it is a lot easier to stand in a turned position than to walk around in a turned position.

Sure enough. It didn’t take long for my horse to stop. I repositioned the mounting block, got on, and released the rein. Then we moved on to the gaited dressage lesson I had signed up for.

This tip worked for me at the clinic and continues to work for me each time my horse doesn’t want to stand.

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Let me know your thoughts by completing the form below.


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Flat Foot Walk & Flat Walk: How Can You Tell the Difference?

Tennessee Walking Horse Flat Foot Walk and Flat Walk: How Can You Tell the Difference?

While both the flat foot walk and the flat walk have a head and neck nod and are even four beat gaits, how can you tell them apart?

Flat Foot Walk and Flat Walk: How can You Tell the Difference?

By Jennifer Klitzke

How can you tell the difference between a Tennessee walking horse flat foot walk and a flat walk? While the horse has a natural head and neck nod and natural four beat gait in both the flat foot walk and the flat walk, how can you tell the difference?

The main difference between the flat foot walk and the flat walk is that the flat foot walk still has a lot of motion in the horse’s back that the rider needs to follow. In the flat walk, the horse’s back is still and there isn’t motion to follow so the rider’s pelvis doesn’t move.

Not only that, both the flat foot walk and the flat walk can be ridden in many variations: free walk, working walk, medium walk, collected walk, extended walk.

Watch this video below:

Flat Foot Walk vs Flat Walk, How to Tell the Difference?

The secret is in watching the rider’s pelvis. If the pelvis is moving to follow each step, it is a flat foot walk. If the rider is still without bracing, it is a flat walk.

If you are the rider, it is a little trickier to discern. Begin to notice if in motion, the horse’s back is still, the gait is smooth as glass, it sounds like a four-beat gait with a head and neck nod with each hind leg step. Then it is likely a flat walk or running walk.

If the horse’s back has a lot of motion to follow with your pelvis, while the horse’s head and neck continue to nod with each step, it is likely a flat foot walk.

What are your thoughts? Please reach out and send me a message or stay connected by subscribing to the Naturally Gaited youtube channel and “like” us on facebook.com/naturallygaited.

A Gift of Freedom: July 4

Remembering those who sacrificed for us so that we may have a Gift of Freedom.

gift of freedom

Have a blessed and safe July 4th!

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Let me know your thoughts by completing the form below.


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How Relaxation Improves Quality Smooth Gaits

How relaxation improves smooth quality gaits
Moments of riding in a long and low position helps the naturally gaited horse relax.

A key in improving quality smooth gaits for the naturally gaited horse is mental and physical relaxation. So, where do you start?

Barefoot Naturally Gaited Tennessee Walking Horse Flat Walk

In this post, we will explore:

Does Rhythm Produce Relaxation?

How Tension Affects the Horse and Rider

How Tension Affects Gaits

How French Dressage for the Gaited Horse Leads to Relaxation

How to Introduce the Gaited Horse to Accept and Follow Snaffle Bit Contact

How Relaxation in Mind and Body Creates Smooth Gaits

Does a Relaxed Rider Make a Difference?

Does Rhythm Produce Relaxation?

I began riding dressage with non-gaited horses in 1988. Back then we didn’t have videos, the internet, and the plethora of resources we have today. We were fortunate to have a traveling instructor to teach us.

The Pyramid of Training began with rhythm followed by relaxation. We believed that rhythm produced relaxation. So, for my first 20 years of dressage riding with non-gaited horses, I either lunged my horse until they relaxed (or worn out) or I rode them in 20-meter circles until they were relaxed (or bord). This is what was taught and what I did. I didn’t know there was another way.

Dressage training pyramid

How Tension Affects Horse and Rider

In 2007, I acquired a three-year-old naturally gaited Tennessee Walking Horse, Makana. I continued the dressage I learned with non-gaited horses. When she was young, Makana often worried about her surroundings and tensed her body. Tension created stiff movement. Was it quality smooth gaits. Not really. Mostly step pacing and a pacey canter.

Makana’s spooking certainly didn’t create relaxation in me. My tense reaction only reinforced her fear, step pacing, and perpetuated her worry. If I continued to ride her while she is worried, I felt like I was riding a stiff plank blowing in the wind, swirling around with each spook−praying to God that I stayed on long enough to establish rhythm in hopes of bringing about relaxation.

I wondered how long does a nervous rider ride a nervous horse through spooks and tension before rhythm is established and relaxation sets in for the horse?

If I could sweat it out, riding a step pacing stiff plank in the wind for an hour, was this really the best approach? What was I teaching my horse? Am I conveying anything positive to my horse through miles of tension? By working a worried horse, wasn’t I training my horse to be worried and reinforcing her fear with my fear? I certainly was reinforcing my fear!

Perhaps a relaxed rider could have helped Makana through her tension and spooking to rhythm until she relaxed. For me, it wasn’t working.

How Tension Affects Gaits

Does tension produce smooth gaits?

With my naturally gaited foxtrotting horse, Lady, when she was tense in her lower jaw, mouth, and poll, she tensed her back and that meant a rocky ride. Leaving it up to her, she’d grab the bit and blast off into a hard, hollow trot. If I pulled on the bit to slow her down, she trotted off even faster. She wasn’t having fun, and neither was I.

Perhaps after a few miles of a hard trot, Lady would have been tired enough to relax into a smooth gait. However, what kind of muscle memory was she learning if I were to lunge and/or ride Lady through the rhythm of a hard, hollow trot for miles until she wore out into relaxation? Wasn’t she just learning to run away in tension until she gave up? I had to find another way.

Barefoot and bareback naturally gaited Tennessee walking horse at 17 years old.

How French Dressage for the Gaited Horse Leads to Relaxation

In 2013, I began studying French dressage and applying it with my gaited horses. I began learning ways to lead my horses into relaxation of mind and body.

I purchased French Dressage Master, Philippe Karl’s DVDs: Classic vs Classique, Classical Dressage Volumes 1-4, and The School of Legerete. I also purchased and study his books: Twisted Truths of Modern Dressage and The Art of Riding.

Philippe-Karl-Legerete-DVDs-video-camera
My DVD collection of Classical French Dressage Master Philippe Karl.

In addition, I purchased Another Horsemanship, by the late French Dressage Master Jean-Claude Racinet and a video produced by one of his students, Lisa Maxwell, Getting Started in Lightness: The French Classical Dressage of Francois Baucher as Taught by Jean-Claude Racinet.

Jean Claude Racinet's book and Lisa Maxwell's DVD
The late Jean Claude Racinet’s book Another Horsemanship and Lisa Maxwell’s DVD Getting Started In Lightness: The French Classical Dressage of Francois Baucher as taught by Jean Claude Racinet presented by one of his students Lisa Maxwell.

While Karl and the late Racinet teach dressage for non-gaited horses, I have found these methods work well for my naturally gaited horses and for me as the rider and trainer. The core of the French dressage philosophy is “respect for the horse” and the foundation of training is relaxation and balance (developed by the hand aid) and impulsion (developed by the leg aid) with separation of the “stop” and “go” aids. The ideal is to train the horse to be responsive to the lightest hand and leg aids.

Watch: How to Introduce the Gaited Horse to Accept and Follow Snaffle Bit Contact

This video shows How to Introduce the Gaited Horse to Accept and Follow Snaffle Bit Contact. The best ways to introduce contact is in hand. Then once the horse learns how to accept and follow a light snaffle bit contact, the same flexibility exercises can be applied in saddle at a halt. Then at a slow walk. The tempo may be increased as long as the horse remains relaxed. If the horse gets tense, bring the horse back to a slower tempo or a halt to restore relaxation.

Educating the horse’s mouth

Instead of lunging and riding a worried or tense horse for miles and miles in hopes to develop rhythm leading to relaxation, I have learned in-hand relaxation and balancing exercises. Then I proceed with the same relaxation and balancing exercises from the saddle at a halt and then at a slow walk. Progressively over time, I increase the tempo to a smooth gait and canter.

Anytime the horse begins to get tense or anxious, I slow down the tempo until relaxation is restored.

After establishing relaxation and balance at a halt, then exercises such as the shoulder in are added.

Through the work in-hand relaxation and balancing exercises, I’ve developed a better partnership of communication and trust with my gaited horses. I’ve found that learning these in-hand relaxation and balancing exercises make riding easier, since my horses already understand what I’m asking for. Within a few minutes of in-hand exercises, my horses are relaxed and ready for quality smooth gaits.

flechi droit
The Flechi droit on a 20-meter circle asks the horse to keep its body bent to the 20-meter circle while the head and neck bend more. This helps the horse find balance in the shoulders, stretches the outside neck muscles, and prepares the horse for balanced circles.

I might have an idea about what I’d like to work on during a riding session, but I am open to adjust these ideas to meet my horse needs. This way we have a productive ride.

Shoulder in on a circle
Shoulder in on a circle and pivot the fore help Lady engage from behind, lift her back and whither by activating her abdominal and chest muscles, and relaxing the jaw, tasting the bit, getting softer on the bridle, and accepting contact.

Anytime my naturally gaited Tennessee walking horse gets worried, or my Foxtrotting mare gets tense in her body, I just ease down to a slow walk, halt or even dismount to work in-hand and restore relaxation. I don’t proceed until I’ve established relaxation of mind and body.

How relaxation in mind and body creates smooth gaits

For me and my naturally gaited Tennessee Walking Horse, Makana, we don’t pass “GO” before she is relaxed in her mind, then her body. And for my naturally gaited foxtrotting mare, Lady, we don’t proceed until she has relaxation in her body, and then her mind.

Without relaxation, there is no quality rhythm, no quality steps, no trainable or teachable horse to produce quality smooth gaits.

Thankfully French dressage has been the training philosophy I needed for my naturally gaited horses. Directing the horse to relaxation in mind makes a teachable horse−less tense and distracted and able to stay more focused on our time together. Teaching the gaited horse to relax its body leads to smoother gaits.

Ways to lead the horse into relaxation are:

  • Teaching the horse to accept and follow a light snaffle bit contact
  • Teaching the horse how to relax the mouth, lower jaw, and poll which will help the horse relax the back
  • Riding with a snaffle bit contact and following the natural head and neck motion with relaxed hands, arms, and shoulders
  • Developing a partnership of trust and harmony with the horse

Relaxation of the horse’s jaw and back are especially important for the naturally gaited horse. The gaited horse is more prone to pacing when there is tension in the mouth, lower jaw, poll, and back, and has learned bit avoidance.

My Tennessee Walking Horse has learned to relax her mouth, lower jaw, poll, and back. The step pace and lateral canter are gone. Now she has quality smooth gaits such as flat walk, running walk and saddle rack, and her canter is a quality three-beat canter.

natural Tennessee walking horse flat walk
Smooth, natural gaits such as the flat walk, running walk, fox trot and saddle rack are fun to ride! Shown above is a naturally gaited and barefoot Tennessee walking horse performing an evenly timed, four beat flat walk with a head nod.

For my foxtrotting mare, by relaxing her mouth and lower jaw helps her relax her back. The hollow, hard trot is gone. Now she consistently offers a smooth gait.

balanced fox trot with contact
Relaxation of mind and body has transformed Lady’s gait from hard trot to smooth gait.

Does a Relaxed Rider make a Difference?

Applying French dressage with my gaited horses in hand and in saddle has built my confidence as the trusted leader in our partnership. It has also helped me be a more relaxed rider when we increase the tempo to a smooth gait or canter.

Over the last several years, I have learned tools that have helped me become a more relaxed and confident rider. My relaxation and confidence lead my naturally gaited horses into relaxation of mind and body. From this relaxation in both me and my horses I can then help them produce quality, smooth gaits.

Neck extension at a flat walk
Riding my smooth gaited Tennessee walking horse Makana in a flat walk with neck extension. The neck extension allows the horse to both stretch its spine and build its top line while allowing maximum stride length.

Learn more about Dressage for the Gaited Horse

Questions?

Let me know your thoughts by completing the form below.


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