Category Archives: Dressage for the Gaited Horse

Following Arms & Rubber Band Fingers

Following the Head and Neck Motion

Many gaited riders choose to ride still or to ride with a long floppy rein. So, why follow the natural head and neck motion of the gaited horse with relaxed arms, shoulders, hands and fingers? If dressage is your riding style, here’s something to consider.

Following the Head and Neck of the Gaited Horse with Relaxed Arms & Rubber Band Fingers

By Jennifer Klitzke

When I returned from my Seattle vacation last Fall, I was excited to try out all I learned from Nichole Walters, a student of Classical French Dressage Master Philippe Karl. I was especially curious about following the natural head and neck motion of my naturally gaited horse with relaxed shoulders, arms and hands.

Granted, I rode non gaited horses at Nichole’s farm. Yet a trotting horse walk expresses an even four-beat gait. The head and neck nods naturally with each step. This is where Nicole encouraged me to relax my shoulders, back, and arms so that I would follow the horse’s motion.

It got me thinking. This seemed like a direct take-a-way for how I ride my naturally gaited Tennessee walking horse and fox trotting horse. It was critical that I learn to follow the natural head and neck motion while maintaining a light, even contact.

After publishing the video: Following the Motion of the Head Shaking Horse, I received a great tip from someone on the Naturally Gaited Facebook page. Along with following the natural head and neck motion with relaxed arms, a women encouraged to open and close my fingers with each head nod. This is what I call “rubber band fingers.”

I began giving this idea a try with both my naturally gaited Tennessee walking horse and my fox trotting mare.

Along with following the natural head and neck motion with relaxed arms and rubber band fingers are leading my naturally gaited horse into:

  • Relaxation: relaxed in the mind and relaxed in the jaw and back which will help break up pace.
  • Balance: so my naturally gaited horse will carry equal weight on all four legs and not be heavier on the forehand or leaning on the bit.
  • Rhythm: that my naturally gaited horses tempo is even, steady, forward, and not rushing.
  • Engagement: that of the hind leg steps deeper under the body more than trailing behind the tail.
  • Straightness: so that the shoulders are carrying equal weight and the horse isn’t leaning on the inside shoulder or bulging the outside shoulder.

I am seeing great results from combining these elements. My naturally gaited Tennessee walking horse’s head nod is more defined and regular in timing with the hind leg steps. Her rhythm is more even, and she seems more forward and engaged from behind.

Video: Following the Motion of the Head & Neck

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Relaxation, Softness & Engagement in the Naturally Gaited Horse

relaxation softness and engagement in the naturally gaited horse

Relaxation, Softness & Engagement in the Naturally Gaited Horse

By Jennifer Klitzke

Wowzers, was she ever a hot tamale! After five months of Minnesota winter off, this was Lady’s second ride of the Spring.

Lady is my friend’s naturally gaited fox trotting horse. She is ridden barefoot and in a snaffle bridle. In this riding session, we focused on relaxation (of mind and body), softness in the jaw, and engagement (stepping deeper under the body).

With a little persistence, gentleness, and encouragement, Lady settled into some rather nice fox trotting that was relaxed, soft, and balanced, with good rhythm and engagement.

Video: Relaxation, Softness & Engagement in the Naturally Gaited Horse

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Breaking Pace & Cross Canter Using Trot & Ground Rails

Breaking pace and cross canter

Do you refine pace or cross canter? Likely not. Instead learn ways to break pace and help your gaited horse develop quality smooth gaits and a true canter.

Here’s my story…

Breaking Pace and Cross Canter Using Trot and Ground Rails to Develop Quality Smooth Gaits

By Jennifer Klitzke

Do you have a gaited horse that paces or cross canters? If you’re like most gaited horse owners, you don’t practice improving the quality of the pace and cross canter, right? We work on breaking pace for a smooth gait and replace cross canter with a true three beat canter.

My gaited dressage mentor Jennie Jackson taught me many valuable tips over the years. Among these tips are breaking pace and cross canter by disrupting lateral movement using diagonal gaits like the trot and true canter.

Introducing ground rails to teach trot and canter

A great way to start diagonalizing movement to breaking pace and cross canter is introducing the gaited horse to ground rails to teach trot and correct the canter.

In the video below, I show the progression of how I introduce my naturally gaited horse to a ground rail using trot and use the ground rail to break up her cross canter as she learns true canter. Above all we focused on relaxation, balance, rhythm and forward movement without rushing starting at the walk, then the trot, and then the canter. I teach all of the gaits on cue.

Watch: Breaking Pace & Cross Canter Using Trot & Ground Rails

Steps to introduce ground rails to help break up pace:

  • Introduce the horse to the equipment to encourage relaxation: Introduce the rail(s) and lunge whip gently and gradually so the horse isn’t afraid of them and finds relaxation.
  • Begin at a relaxed walk and increase tempo gradually: Encourage the naturally gaited horse to find relaxation, balance, rhythm and forward movement without rushing. Begin at a relaxed walk. Then cluck and say, “trot” to increase tempo to a trot. If the horse doesn’t trot, say, “trot” cluck and motion the lunge whip. Only escalate the aids if the horse isn’t responding. After a few steps of trot. Stop and praise. Do this a few times until the horse understands trot.
  • Then help the gaited horse settle into a relaxed, balanced, trot with even rhythm and forward movement without rushing. This might take some starts and stops if the horse is explosive. Encourage relaxation, as this is the first element to establishing rhythm.
  • For canter, start with one ground rail and then add a second a canter length apart (6-9 feet). One ground rail can help correct cross canter any time the hind legs are traveling on the wrong lead. When the horse hops over the ground rail they often correct the hind legs to the true canter lead. If the horse gets tense or loses its balance, gently transition the horse back to a walk or trot to re-establish relaxation, balance, rhythm and forwardness before transitioning back up. If you have a round pen, you can set up a rail or two or a rail to a small fence or cross rail.
gaited horse over jump
Free lunging over a jump in a round pen is another way to help the gaited horse develop a quality 3-beat canter.
  • Teach quality gaits on cue: Teach a quality walk, trot and canter on cue over ground rails to build the correct muscles. Don’t let the horse decide its gait, blast off into tension, or travel continually in a hollow ewe neck frame. Teach gaits that build the top line muscles, encourage a deeper step under the body, and gaits that develop relaxation, balance, forwardness without rushing, and even rhythm and tempo.

If you struggle with a lazy four beat canter, uncoordinated cross canter or a tense pacey canter, pace or step pace with your gaited horse, you’re not alone. I have experienced all of these in the training of naturally gaited horses.

Breaking Pace Canter or 4-beat Canter for Quality Canter

In the video below, me and my naturally gaited Tennessee walking horse, Makana show exercises to breaking pace canter and a four-beat canter to improve canter quality. The goal is a relaxed three beat canter with more airtime.

The first exercise uses rein back to bend the hindquarter joints and engage the abdominal muscles to lift her back before transitioning to canter. This positions my horse in the best posture for a depart to a quality canter.

The canter second exercise is SUPER FUN over ground rails. It elevates the canter and breaks up a four-beat canter.

Watch: Exercises to Break a Pacey Lateral Canter or 4-Beat Canter

More Exercises for the Gaited Horse to improve smooth gaits.


I hope this is helpful. Let me know your thoughts by sending a message.

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2016 FOSH Gaited Dressage Winners

This year my naturally gaited Tennessee walking horse Gift of Freedom and I gave Gaited Western Dressage a try through North American Western Dressage Association (NAWD) Virtual Shows.

2016 was a year of firsts for all three gaited dressage winners

Friends of Sound Horse (FOSH) announced the award winners for the 2016 FOSH Gaited Dressage Program, a division of FOSH Gaited Sport Horse. This unique program recognizes and rewards gaited horses competing in the discipline of Dressage.

2016 entries included the Spotted Saddle Horse, Tennessee Walking Horse, Missouri Fox Trotting Horse, and Rocky Mountain Horse. Eligible scores ranged from 62.8% to 74.50%. Eligible tests may be Live, Virtual, English or Western. Recognition was given in Two Gait, Introductory, Training, First, and Second Levels.

IJA Western Training 2 canter
Jennifer Klitzke riding her naturally gaited Tennessee walking horse Gift of Freedom at one of three North American Western Dressage Association Shows.

For my naturally barefoot and naturally gaited Tennesee walking horse, Gift of Freedom, this was the first we submitted entries for Western Dressage. While we have been award gaited dressage award winners in the FOSH gaited dressage category, this is the first time we have won in the Gaited Western Dressage division.

Loren Hilgenhurst Stevens riding Sosa’s Playboy at Sonset, a Tennessee Walking Horse.

I am thrilled to see gaited dressage grow! Congratulations to Sosa’s Playboy at Sonset, a Tennessee Walking Horse, owned by Nicole Mauser-Storer of Bartonville, IL who are a new entrant to the FOSH gaited dressage program. Not only did this duo submit seven test scores, they won the award for Training Level and achieved the highest score of 74.50%,.

Congratulations also to Cash-N-Out owned by Loren Hilgenhurst Stevens of Atkinson, NH who was a new entry in 2016. This Tennessee Walking Horse was the award recipient in the Two-Gait category, submitting six test scores.


To be eligible for awards in the FOSH Gaited Dressage Program, three scores of 60% and over must have been recorded in any level of Dressage competitions with a recognized judge. Tests must have been specifically developed and written for gaited horses. Recognized tests include IJA, NWHA, WDAA and Cowboy Dressage.

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Not All Dressage is the Same

Not All Dressage Is the Same

Did you know that there are different forms of dressage, producing different result? Here’s my story.

Not All Dressage is the Same

By Jennifer Klitzke

In the realm of dressage, there are various approaches and methods that can shape the way we train and communicate with our equine partners. From the competition dressage pyramid to an artistic French dressage style, each path offers unique outcomes.

After seven years studying competition dressage, French dressage master Dominic Barbier traveled to my region. I experienced the lightness and joy he brought to his work with horses. This sparked a shift in my training methods, moving towards a more creative and right-brain approach that focused on a two-way dialogue with my horse.

As I delved deeper into my dressage journey, I encountered the teachings of classical French dressage master Philippe Karl and the late Jean Claude Racinet. Their emphasis on balance, relaxation, and the separation of hand and leg aids opened up a new way of communicating with my horses.

Contrasting the back-to-front approach of competition dressage, where we drove our horses forward with our seat and legs into our hands to form contact, the French dressage method lightness to the hand and leg by separating the leg and seat aids for “go” from the hand aids for “stop.” I found an improved responsiveness from my horses through this distinction in my communication.

The focus on relaxation and balance from the beginning of training in French dressage has transformed the way I work with my horses. By prioritizing the horse’s comfort and well-being, I have seen improvements in their mental and physical relaxation, leading to smoother gaits and a deeper partnership.

Transitioning from a one-way to a two-way communication approach has been transformative as well. Instead of viewing resistance as disobedience, I now see it as a signal of misunderstanding or difficulty, prompting me to refine my communication and level of difficulty to ensure understanding and harmony with my horse.

In dressage, there are more than one path to explore, each offering its own applications and outcomes. French dressage has reshaped my approach and instilled a deep appreciation for the artistry and partnership that define this paradigm. As I continue to navigate the nuances of different dressage methods, I am reminded of the words of Philippe Karl: “If the dressage is good, it will work on any horse.”

Dressage is a journey of discovery, communication, and partnership with my horses. I am grateful for the diverse approaches that have enriched our experience.


I hope this is helpful. Let me know your thoughts by sending a message.

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