Are naturally gaited horses supposed to be smooth? Why do gaited horse fall in and out of a smooth gait or not at all? How can a naturally gaited horse develop quality smooth gaits?
Developing Quality Smooth Gaits One Step at a Time
By Jennifer Klitzke
Lots of people buy a naturally gaited horse believing they automatically offer a smooth gait all the time. Some gaited horses are all born with this ability, but most need training to develop a consistent smooth gait.
Dressage is one form of training for the naturally gaited horse to develop quality smooth gaits. Through exercises that develop relaxation, balance, rhythm, connection, symmetry and engagement, a gaited horse can develop quality smooth gaits on cue.
How? With three important keys.
1. Know the difference between a quality smooth step and a step that is unbalanced, rushed, hollow, tense, or disengaged.
2. Practice quality smooth steps.
3. Stop and reward the horse before the steps get pacey, out of balance, tense or hurried.
In the beginning it might be one or two steps. Then it leads to a few quality steps. Over time the few steps become a few minutes of quality smooth steps.
Avoid practicing poor quality steps, because that’s the muscle memory you’ll create. Practice consistent quality smooth steps to deliver clear communication to your horse.
When my horse becomes unbalanced, loses rhythm and rushes, hollows or becomes disengaged, that’s a great clue to simply slow down to a relaxed and balanced walk and re-establish quality smooth steps.
When I’ve re-established a quality walk, then I transition to the smooth gait a quality step to quality steps.
Over time, a few quality steps turn into circles of quality steps. Seconds into minutes for longer durations of quality smooth gait over time.
How can you tell the difference between a quality smooth step from a smooth step that is unbalanced, rushed, hollow, tense, or disengaged?
I’ve been perusing my equestrian education since 1988 and there is always more to learn. Taking lessons, attending clinics, studying DVDs, reading books, and recording rides are great ways to learn. All of this helps me become a more effective rider and better communicator with my naturally gaited horses.
Good dressage lessons are important to gain timely feedback. This feedback helps the rider develop the feeling of right and the feeling of the horse falling out of balance, rushing, hollowing, tensing, or disengaging and knowing what to do to regain the feeling of right.
What if my naturally gaited horse paces instead of walks?
Again, a good dressage instructor can help you determine why your horse is pacing.
There are many reasons why a naturally gaited horse paces:
Sometimes the horse has developed the habit of pacing.
A dressage instructor can help you learn exercises like shoulder in, shoulder out, haunches in at a slow walk that help to break up the pace into a four-step walk.
Sometimes the horse paces because it is tense in the mouth and back.
Lateral exercises also break up tension and help to soften, supple and strengthen the naturally gaited horse.
Sometimes the horse paces because the equipment causes pain.
A good dressage instructor can help you find an english or western saddle that fits you and your horse without pinching or hollowing the back. An instructor can help you learn how to develop a balanced riding position (ear, hip, heal) over the horse’s center of balance. This helps to be an easier load to carry and not throw the horse out of balance.
A good dressage instructor can also teach you how to help the naturally gaited horse accept and follow a light snaffle bit contact. This relaxes the mouth, lower jaw, and poll and has an effect on the entire horse.
Sometimes a horse paces because the rider throws the rhythm off
The horse’s footfall rhythm can been disrupted when the rider cues at the wrong time. A good dressage instructor with teach you effective timing of aids.
Another reason the horse paces is when the rider doesn’t follow the natural movement of the horse’s head and neck, lower back, hip joints and leg with the belly sway. A good dressage instructor can teach you how to follow the horse’s natural movement without disrupting the timing of steps and without creating tension in the horse.
Sometimes a horse paces because it was born to pace
Is there hope for a naturally horse who was bred to pace? Yes, a good dressage instructor can help you learn all the above and your horse can learn a smoother gait.
Will it be easy? No, but with patience, joy, and perseverance, breaking free from a hard pace is possible.
Video: Quality Step to Quality Steps
In this video I share what I’ve learned from good dressage instructors about developing quality smooth gaits — one step at a time.
Questions?
Let me know your thoughts by completing the form below.
Have you heard people say, “Never trot a gaited horse, because trot will ruin the smooth gait?” I bought a gaited horse for a smooth ride. Yet I discovered how a quality trot on cue can improve the quality of the smooth gait.
Here’s my story.
Benefits of Teaching the Smooth Gaited Horse a Quality Trot on Cue
By Jennifer Klitzke
Walk-trot-canter are my roots. I began dressage with non-gaited horse breeds in 1988. Twenty-nine years later, my youthful mind grew into a grandma body. Dressage with smooth gaited horses launched my new destiny. I thought my posting days were behind me. Then I discovered a quality trot on cue offers great benefits for the naturally gaited horse.
Whoever panicked gaited horse riders by saying trot ruins smooth gait, missed two important facts.
First, the difference between letting a gaited horse trot versus the rider directing the horse into a quality trot on cue. The former lets the horse train the rider. The latter is the rider training the gaited horse.
Secondly, not all trot is the same. Just as not all gait is the same. There are quality smooth gaits that have relaxation, even strides, regular rhythm and tempo. Just as there are poor-quality gaits with short and uneven strides, a hollow frame, irregular rhythm, and a rushed tempo that fall in and out of pace and a smooth gait.
Trotting the naturally gaited horse isn’t for every rider and every horse. If you ask an educated dressage rider, teaching a gaited horse a quality trot on cue has many benefits.
Video: Benefits of Trotting the Gaited Horse on Cue
Benefits of a quality trot on cue for the smooth gaited horse:
Helps develop relaxation
Develops the top line muscles when ridden in a neutral position
Develops rhythm
Improves engagement and forward movement without rushing
Strengthens the hind quarters for deeper strides reaching under the body
The diagonalized motion of trot breaks up a lateral moving pace
Teaching the naturally gaited horse a quality trot on cue improves rhythm and engagement that can improve these qualities of the smooth natural gaits. Plus, the diagonalized foot fall of the trot can help break up a lateral pace.
Transforming a hard trotting gaited horse with dressage
Lady was purchased from a sale barn. My friend was told she was a six-year-old unregistered gaited horse. Yet the only gaits Lady had were a walk and a hard trot. After a couple years of trail riding on a long floppy rein with Lady, my friend brought her to my place. She wanted to know if Lady had a smooth gait after all.
Dressage rider meets a trail ridden gaited horse
Riding with a light snaffle bit contact was as new to Lady as riding on a long floppy rein to me. I did my best to keep arena riding interesting for Lady. I mixed up our rides with lots of transitions, circles, serpentines, changes of direction along the diagonal, and lateral exercises.
My strategy with Lady: We began with a relaxed state of mind and body beginning at a walk. Then I would increase the tempo before she began trotting. Over time, Lady developed three smooth gaits on cue: a dog walk, a fox walk, and fox trot.
Lady’s smooth gaits aren’t showy, but they are fun to ride, especially on the trail. We see a lot of the forest in a short amount of time and my grandma body doesn’t pay for it later! Plus, I took the dressage to the trail, and it made both Lady and I happy. Dressage made more sense to Lady on the trail than the arena.
I also learned that Lady enjoyed our time together best when I met her halfway. I asked for a smooth gait on cue with a light snaffle bit contact. Then I would release the contact to a long floppy rein as long as she maintained her smooth gait in self-carriage. This was Lady’s reward, and this dressage rider enjoyed another way of riding.
Who says dressage needs to be in an arena?
Lady’s first dressage show as a smooth gaited horse
In July 2016, I entered Lady in her first dressage show. It was a North American Western Dressage Virtual Show open to smooth gaited horses. Even unregistered grade horses, like Lady, were welcome to enter!
Lady and I rode a Western Gaited Dressage Intro Test. It included walk, free walk, and a smooth gait which replaced the jog trot. Also, the dressage test required a snaffle bit contact with no floppy reins during the test.
Turns out, Lady was the only smooth gaited horse competing at our level. In her first show, she placed 5th of 9 horses with a score of 60.357%. I was thrilled!
Lady in her smooth gait while showing her first Western Gaited Dressage Intro Test
The ah-hah moment: Feedback from the dressage judge
The dressage judge provided wonderful written feedback on our dressage test. While I was happy with Lady’s smooth gait, the judge noted where Lady seemed tense and lacked engagement. She also pointed out where Lady moved more relaxed and engaged to work towards that.
The feedback provided helpful insights in our training and what needed improvement. Since our dressage test was recorded, I could watch where the judge made these comments!
The ah-hah moment was realizing the difference between a smooth gait and a QUALITY smooth gait!
Up to this point, developing a smooth gait was my goal. Now I had a new goal: developing quality smooth gait. I began focusing on a relaxed state of mind and body, engagement from behind, and a softer connection with the bridle.
Lady’s response to engagement wasn’t rainbows and unicorns. She resisted by rushing off with tense, short steps until she blasted into a hard, hollow trot. Ooh, my grandma body felt those jolts! Then I had a flash back to my trotting horse days and had an epiphany.
Epiphany: Drawing insights from dressage with non-gaited horses…a quality trot on cue!
The jarring trot jolted my memory back to the days I posted 20-meter circles developing a quality trot on cue. A quality trot helps develop the horse’s top line muscles with a relaxed mind and body, as well as rhythm, connection, and engagement from behind.
Did you know that not all trot is the same?
When a trotting horse is tense and hollow, the trot is a rough ride. When the horse learns to relax its back, engage from behind, and step deeper under its belly, the trot becomes smoother. I learned this to develop a manageable sitting trot. Plus, a relaxed back is beneficial for the horse.
Recalling these benefits of a quality trot on cue became my strategy for Lady. Any time she resisted a quality smooth gait on cue by blasting into a hard trot, I redirected her into a QUALITY trot on cue.
While teaching the gaited horse a quality trot on cue, it is important to allow moments for the horse to stretch out and down to stretch the topline muscles and spine. The rider lightens their posting in a two-point position to allow the horse’s back to round. Avoid too many consecutive steps in this position as it drives the horse onto the forehand.
Huh!? Why would I teach trot to the hard trotting gaited horse I just taught a smooth gait?!
The difference between evading through hard trot and teaching a quality trot on cue
There is a big difference between an evasive hard trot the horse chooses and the rider teaching the horse a quality trot on cue.
Lady’s hard trot was an evasion to avoid a quality smooth gait on cue. The hard trot is not quality, nor was it on cue. She would grab the bit and run away in a tense, high headed hollow trot. Left unchecked, Lady was training me.
Instead, I need to teach Lady a new way to trot. I needed to guide her trot into relaxed state of mind and body, moving forward from behind into a light contact with the snaffle bit on a 20-meter circle, and develop an even rhythm and tempo without rushing.
Teaching the gaited horse a quality trot on cue has many benefits:
Breaks up lateral pacey movement since trot is a diagonal gait
Develops the abdominal muscles to lift the back to a neutral to round position instead of an unhealthy hollow positionStretches the top line muscles and spine, when trotting in a neutral position, which is beneficial to the gaited horse
Stretches the outside muscles when performed on a 20-meter circle and promotes symmetry when both directions are stretched
Develops the topline muscles of the neck and back instead of the underside neck muscles
Encourages engagement which teaches the gaited horse to step deeper under the body with each hind leg step and lift the back to a neutral to round position producing depth of stride to improve the quality of the smooth gait
Develops rhythm that improves quality in all gaits
Teaches the gaited horse gaits on cue, teaches rider and horse proper roles in the relationship
Teaching a smooth gaited horse a quality trot (or soft trot as shown) on cue has many benefits: engagement, rhythm, balance, strengthening the top line muscles, and breaking up pace. This type of trot produces depth of stride which improves the quality of the smooth gait.
After a few circles of quality trot, I cue for the smooth gait. I am amazed how much better the smooth gait has improved after a few circles of quality trot on cue.
Lady’s easy gait improves in engagement, rhythm, and balance after a few 20-meter circles of quality trot on cue.
My strategy has been to ask Lady for an engaged smooth gait on cue first. If her response is resistance or a lack of engagement, then I cue for a quality trot. It doesn’t take Lady long to prefer an engaged smooth gait over a quality trot on cue.
Second dressage show as a smooth gaited horse
In September 2016, we put our strategy to the test. I entered Lady as a smooth gaited horse in her second Western Gaited Dressage Intro Test with the NAWD Virtual Show.
Not only did Lady’s smooth gait improve with more relaxation and engagement, but she placed 2nd of 11 horses with a score of 64.821%. Lady was the only smooth gaited horse in the class!
Video: Western GaitedDressage Intro Test
Teaching the smooth gaited horse a quality trot on cue isn’t for every rider or every horse. It has helped my gaited horse, Lady establish more engagement in her smooth gait. Now that she is working in a quality smooth gait with connection, rhythm, relaxation and engagement, I haven’t had to ask for the quality trot on cue.
Will trotting a gaited horse on cue ruin the smooth gait?
Whoever began the myth, “Never trot a gaited horse, because trot will ruin the smooth gait,” maybe didn’t know the difference between letting the gaited horse hard trot versus training the gaited horse a quality trot on cue.
A quality trot on cue teaches the gaited horse rhythm, relaxation, balance, and forward movement without rushing to develop engagement, a softer connection, a deeper stride beneath the body with each hind leg, and it breaks up a lateral moving pace.
My naturally gaited fox trotting mare, Lady in a quality, balanced fox trot with contact.
That’s where years of dressage on trotting horses have paid off for me. I never imagined that I would be trotting a smooth gaited horse on purpose, since I got a gaited horse for a SMOOTH ride. Yet I discovered that teaching the gaited horse a quality trot on cue can improve the quality of the smooth gait.
In the end Lady prefers an engaged smooth gait over a quality trot on cue any day, and that makes us both happy!
Lady (naturally grade gaited horse) shown at a fox trot, Makana (naturally gaited Tennessee Walking Horse) shown at a flat walk and Marvel (naturally gaited Tennessee Walking Horse / Spotted Saddle Horse) shown at a dog walk.
From me and my furry friends to you and yours, have a Merry Christmas and a happy new year!
—Jennifer Klitkze
Questions?
Let me know your thoughts by completing the form below.
I am thankful for another year of smooth riding. How about you?
I am thankful for another year of training my five-year-old naturally gaited Tennessee walking horse, Marvel who is progressing well in his smooth gait. Thankful for Makana (19) and Lady (20+) who are sound and smooth in their senior years.
And I am thankful to those of you I have met this year, who have shared your dressage journey with your naturally gaited horse. I have enjoyed getting to know you and to hear how dressage is making a difference in developing smooth gaits and a partnership of harmony!
Teaching the naturally gaited horse to relax the mouth, lower jaw, and poll can relax the body to perform smooth gaits. Learn the benefits of using a snaffle bit and how to begin.
Introducing a Gaited Horse to a Snaffle Bit
By Jennifer Klitzke
Depending upon which training method you choose with your gaited horse will determine how you communicate with your horse, which tools are used, how the tools are used, and why.
Dressage is my method of choice in training my gaited horses―specifically classical French dressage. In dressage, the rider communicates with the horse through the hand, leg, seat, and weight aids. The rider’s fingers gently communicate with the horse’s mouth in a meaningful way through the reins attached to a gentle snaffle bit. The horse learns to seek and follow a light contact with the bit, and the rider gains awareness to gently follow the horse’s natural head and neck motion with relaxed shoulders, arms, and fingers. This light contact between the rider’s fingers and the horse’s mouth is important for communication.
Introducing a gaited horse to a snaffle bit helps the horse learn to seek and accept a light contact leading to smooth gait. When bits are misused, horse learn to resist contact out of fear, pain, or tension. This leads to pace, step pace, hard trot, and even running off.
In this post, we will explore:
Selecting a snaffle bit for the gaited horse
Introducing the bit and working in hand
Benefits of teaching a gaited horse to accept and follow a snaffle bit contact
Demonstration videos
Selecting a snaffle bit for the gaited horse
Snaffle bits and curb bits (or shank bits) have different actions on the horse. Snaffle bits do not have curb levers creating poll pressure. In dressage, snaffles are designed for the rider to communicate with the horse through a light contact leading to bit acceptance.
Over the years, I have collected many snaffle bits. Snaffles are made of rubber, plastic, and a variety of different tasting metals. There are one-piece (Mullen) bits, single-joint and double-joint snaffles. Some double-joint snaffles have a lozenge, a link, or roller. (Use caution when selecting links and rollers as some can pinch the horse’s tongue and cause pain.)
Below are snaffle bits I have used to train my naturally smooth gaited horses.
Plastic Mullen Full Cheek Snaffle Bit
Full Cheek Mullen Snaffle Bit
A full-cheek snaffle bit is a great choice for young, green horses who are wiggly as they learn, like my three-year-old naturally gaited Tennessee walking horse, Marvel. This will be our go-to bit for his first year of training.
The full-cheek pieces offer stability to keep the bit from sliding through the horse’s mouth while they learn how to accept and follow contact. A plastic Mullen snaffle bit is great for horses with a sensitive mouth and horses who dislike the taste of metal.
Fulmer single-joint snaffle
Fulmer Snaffle Bit
The Fulmer snaffle is one of my favorites for training gaited horses using dressage. The rings are independent from the full cheek pieces and allow greater communication with the horse and rider through the various lateral dressage exercises. The Fulmer snaffle is also available with a double joint.
Loose-ring snaffle with lozenge.
Loose Ring Snaffle Bit
After the horse is established in following contact, many dressage riders change to a loose ring snaffle. There are other ring styles as well, such as the D-ring and egg-butt snaffle bits. Many riders start out with a D-ring or an egg-butt. However, the full-cheek and Fulmer snaffles offer the best protection from the bit sliding through the horse’s mouth.
In all cases with snaffle bits, the reins are attached to the rings.
Baucher snaffle bit with lozenge
Baucher Snaffle Bit
The Baucher snaffle bit is available in a variety of mouth pieces: Mullen, single-joint, French link, with a lozenge, and of various metals or plastic. Many people believe that this bit offers poll pressure. However, according to bit expert, Charmae Bell of BitBank Australia, Baucher snaffle bits actually relieve poll pressure. Her BitBank Australia YouTube channel is a terrific resource to learn about bits and bit action.
Snaffle Bit Size
Five-inch snaffle bits are a common width. I have many five-inch snaffle bits, a few five-and-a-half inch snaffles I used with my late 16-2 H Trakehner/Thoroughbred and four-and-a-half-inch snaffles I used with my late 14-1 H Arabian. Select a size large enough not to pinch the corners of the horse’s mouth.
Is a Single-Joint Snaffle Bit Abusive?
Some people believe all single-joint snaffles are abusive, because they have been told single-joint snaffles have a nutcracker effect in the horse’s mouth. I have ridden with a variety of FEI dressage legal snaffle bits since 1988 including single-joint snaffles. In my opinion, any bit can be abusive to the horse when used incorrectly, when not properly fitted, or when the wrong snaffle is selected for the horse’s training.
A single-joint snaffle isn’t for every horse. Horses have preferences and differing mouth conformations and sensitivities where a double joint or Mullen may be more suitable or comfortable. As horses progress in their training, bits are often changed. Some horses have been mishandled and have become defensive. These horses will need a gentle snaffle bit along with an empathetic handler who has patience and educated hands to overcome bit avoidance.
Any bit can be harsh to the horse when used incorrectly or when not properly fitted.
It is important to point out HOW a rider uses a bit, whether single joint, double joint, Mullen, or curb (shank). Many gaited horse riders are taught to hold their hands out to each side in a low, fixed position with contact. Some riders pull back on the reins with both hands. These actions put pressure on the horse’s tongue and cause pain. Pain leads to bit avoidance. Bit avoidance leads to anxiety, tension, pacing, running away, head tossing, getting behind the bit, putting the tongue over the bit, gapping the mouth, and more. This is the opposite of relaxation.
A better way to ride with a snaffle bit is with a light following contact, the elbows at the rider’s sides and the arms bending at the elbows, signaling with the rider’s palms facing up and an upward action. Cueing with an upward action communicates with the corners of the horse’s lips which is a softer and gentler way to communicate. Pulling back on the reins with low hands presses the bit into the tongue which causes discomfort. Bit acceptance occurs when a horse develops a positive and comfortable experience with the bit. Developing bit acceptance takes time, consistent training, awareness of the horse’s body language and our application of our rein aids. Bit acceptance takes patience, especially with a horse that has learned to be defensive. Bit acceptance leads to mental and physical relaxation. That’s what we want in dressage, and that’s what we need for smooth gaits.
Which Snaffle Bit Do You Pick and Why?
Select a comfortable bit that encourages acceptance and relaxation versus pain, anxiety and tension which lead to bit avoidance.
Here’s Marvel, my three-year-old Tennessee Walking Horse / Spotted Saddle Horse getting acquainted with a Mullen full-cheek snaffle bit.
I am blessed to have another opportunity to start a young, gaited horse, thanks to my friend Mary. Marvel is an unstarted, three-year-old Tennessee Walking Horse / Spotted Saddle Horse. He is a clean slate, so starting him with a comfortable bit and teaching him bit acceptance will go a long way.
I have also restarted many horses who have had a negative experience with the bit. It takes time to develop trust with a horse, even more time with abit resistanthorse.
Maybe you can relate:
Have you ever ridden a tense, anxious, and stiff gaited horse who runs off the minute you take up contact with the reins or curls their nose behind the vertical to avoid contact? Can you recall whether the gaits were smooth or rough? Did you experience pace, step pace, a lateral canter or hard trot?
For me, I notice whenever a gaited horse is tense, anxious, and stiff undesirable rough and jarring gaits soon follow. On the flip side, relaxation produces the quality smooth gaits I desire, and that’s what dressage for the gaited horse is all about.
After having a vet inspect the teeth for a float, the next step begins by selecting a well-fitting and gentle snaffle bit.
For Marvel, I am using a plastic Mullen full-cheek snaffle bit. The full-cheek pieces keep the bit from sliding through his mouth while he learns. The plastic Mullen bit is gentle for his sensitive mouth as he learns how to accept and follow contact through stretching exercises. Young horses are wiggly as they learn, and this bit offers stability as I gently guide him through our first year of training until we are well started under saddle.
How to Introduce a Gaited Horse to a Snaffle Bit
Teaching the gaited horse to relax the mouth, lower jaw, and poll can relax the body to perform smooth gaits.
The best way to introduce the gaited horse to the snaffle bit is from the ground by working in hand. This strips away the complexities of the rider’s leg, weight and seat aids so the gaited horse learns how to accept and follow a light snaffle bit contact.
After the horse learns how to accept and follow a light snaffle bit contact with work in hand from the ground then the same exercises can be taught from saddle at a halt. Then the horse is moved into a slow walk and a slow gait over time. Each progression of tempo adds more complexity. This is why beginning with work in hand from the ground is the simplest way to start teaching the horse how to accept and follow a snaffle bit contact. Any time the horse gets tense, the rider backs down to a halt to re-establish relaxation and begin again. As the horse and riding advance in training, relaxation can be applied in motion.
Benefits of Introducing a Snaffle Bit to the Horse from the Ground with Work in Hand
Educates the rider’s hands and the horse’s mouth:
Educates the rider to teach the gaited horse how to seek and follow a light, steady, even contact with the snaffle bit
Teaches the horse to taste the snaffle bit and swallow which aids in relaxation of the mouth, lower jaw, and poll
Brings awareness to the rider about the importance of helping the horse relax the mouth, lower jaw, and poll
Teaches the rider how to help the horse find balance and not lean on the rider’s hands to develop lightness to the hand:
A light contact is the goal; The rider doesn’t pull on the bit and the horse doesn’t lean on the bit
Any time the horse leans on the bit, the rider immediately applies a demi arret (quick motions upward of the bit towards the ears of the horse and releases); Upward motion to apply contact to the corners of the mouth; When the horse stops leaning and carries its own head and neck, the rider stops the demi arret
When the horse learns to carry its own head and neck and not lean on the rider’s hands, the horse learns to shift its balance from the forehand towards the hindquarters and raise its whither by engaging the chest and shoulder muscles
Beginning of balance is achieved when the horse is no longer leaning on my hands and is holding up his head and neck on his own.
Neck extension stretches the top line muscles and spine.
Stretching exercises teach the horse how to follow the snaffle:
The rider learns to hold a light and even contact with both reins and teaches the horse to follow an even, steady contact
The rider guides the horse in stretching exercises upward, outwards and to each side at a 45- to 90-degree. This allows the horse to stretch the outside neck muscles while remaining balanced; and teaching the horse to follow the contact to extend its head and neck down and out to stretch the top line muscles and spine. (Ideally the poll (space between he horse’s ears) should be no lower than the height of the whither, so the horse remains in balance)
When the gaited horse understands how to follow contact, the rider can direct the horse into relaxation of the mouth, jaw, and poll. This relaxation is essential in dressage to direct the gaited horse into positions of stretching, flexing the neck and poll, and rebalancing.
After the horse learns these exercises in hand at a halt, the rider can begin to direct the horse in hand at a slow walk. When flexing the head and neck at a 45 to 90-degree angle, the horse’s body remains straight. This exercise is called flechi droit. It teaches the horse lightness, balance, and straightness in the shoulders and prepares the horse for a balanced small circle. This also stretches the outside neck muscles. During these exercises, it is important to slow down and allow the horse to take smaller relaxed steps.
Working in hand at a walk.
After the horse walks straight while bending in the neck, then directed the horse into a neck extension on a small 8-10 meter circle (volte). This in hand exercise helps the horse learn balance, lightness, and straightness as it follows an even, light, steady snaffle bit contact.
Work-in-hand is teaching me how to direct my gaited horse to find balance and accept a light, bit contact. This groundwork will make it easier to train my gaited horse from the saddle.
Marvel loves his Mullen snaffle bit. Maintaining this enthusiasm will be important going forward until the day we begin saddle training.
Demonstration Videos
Introducing a Gaited Horse to the Bit, Part 1
Introducing a Gaited Horse to the Bit, Part 2
Benefits of Teaching a Gaited Horse to Follow a Snaffle Bit
I learned these Educating the Mouth exercises in 2014 and began applying them with my gaited horses Makana and Lady, and now Marvel.
Questions?
Let me know your thoughts by completing the form below.
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