Following Arms & Rubber Band Fingers

Following the Head and Neck Motion

Many gaited riders choose to ride still or to ride with a long floppy rein. So, why follow the natural head and neck motion of the gaited horse with relaxed arms, shoulders, hands and fingers? If dressage is your riding style, here’s something to consider.

Following the Head and Neck of the Gaited Horse with Relaxed Arms & Rubber Band Fingers

By Jennifer Klitzke

When I returned from my Seattle vacation last Fall, I was excited to try out all I learned from Nichole Walters, a student of Classical French Dressage Master Philippe Karl. I was especially curious about following the natural head and neck motion of my naturally gaited horse with relaxed shoulders, arms and hands.

Granted, I rode non gaited horses at Nichole’s farm. Yet a trotting horse walk expresses an even four-beat gait. The head and neck nods naturally with each step. This is where Nicole encouraged me to relax my shoulders, back, and arms so that I would follow the horse’s motion.

It got me thinking. This seemed like a direct take-a-way for how I ride my naturally gaited Tennessee walking horse and fox trotting horse. It was critical that I learn to follow the natural head and neck motion while maintaining a light, even contact.

After publishing the video: Following the Motion of the Head Shaking Horse, I received a great tip from someone on the Naturally Gaited Facebook page. Along with following the natural head and neck motion with relaxed arms, a women encouraged to open and close my fingers with each head nod. This is what I call “rubber band fingers.”

I began giving this idea a try with both my naturally gaited Tennessee walking horse and my fox trotting mare.

Along with following the natural head and neck motion with relaxed arms and rubber band fingers are leading my naturally gaited horse into:

  • Relaxation: relaxed in the mind and relaxed in the jaw and back which will help break up pace.
  • Balance: so my naturally gaited horse will carry equal weight on all four legs and not be heavier on the forehand or leaning on the bit.
  • Rhythm: that my naturally gaited horses tempo is even, steady, forward, and not rushing.
  • Engagement: that of the hind leg steps deeper under the body more than trailing behind the tail.
  • Straightness: so that the shoulders are carrying equal weight and the horse isn’t leaning on the inside shoulder or bulging the outside shoulder.

I am seeing great results from combining these elements. My naturally gaited Tennessee walking horse’s head nod is more defined and regular in timing with the hind leg steps. Her rhythm is more even, and she seems more forward and engaged from behind.

Video: Following the Motion of the Head & Neck

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