Happy Thanksgiving

Happy Thanksgiving from Jennifer, Makana (bottom right) and Lady (center).

Happy Thanksgiving

By Jennifer Klitzke

It has been quite a year to say the least. And we have all experienced it in one way or another. Yet, I am thankful for another day to ride, another day to live, and another day to love.

I am thankful to have finally landed a full-time job six-weeks before COVID shut down the world. I am thankful to still have a job through this time of COVID while many people are on furlough.

Then a couple months later came the tragic death of George Floyd in my city that stormed the world with public outcry for justice. Many people lost their businesses to looting, arson and rioting. This impacted my husband’s business significantly. Again, I am thankful to have a full-time job.

A couple months later, my husband father passed away. Soon after my husband’s uncle passed away with COVID. He was a health man, who in fact was a high-level medical physician for decades. COVID is no respecter of person.

A couple months later, I lost my Arabian and less than two weeks later I lost my dog. So, it has been a sad year. Yet, I am thankful to still be working full time and have the opportunity to ride my naturally gaited horses.

My greatest apologies for my lack of gaited dressage posts this year. Since March, I have been working from 7am to 9pm most days with a break for lunch and dinner to ride. While I haven’t had much time to write, thankfully, I have been recording my rides. I have exciting insights to share about my experiences with Legerete for the naturally gaited horse. I have made a few gaited dressage posts and can’t wait to unpack more details soon!

I hope you all have a wonderful Facetime Thanksgiving with those you love and have some time to horse around with your naturally gaited horses.

Blessings!

Jennifer, Makana and Lady

Gaited Arabian Crosses the Rainbow Bridge

Tara 's striking beauty.
Tara ‘s striking beauty.

I swore I would NEVER buy another mare…since her I’ve had three.

I swore I would NEVER buy a horse under 16 hands…since her I’ve had four.

I swore I would NEVER buy an Arabian…since her I’ve had two.

That was 24 years ago.

They said you can NEVER teach a trotting horse a natural, smooth gait. She taught herself.

She watched Makana, my naturally gaited Tennessee walking horse move out in a natural smooth gait. I think she was smart enough to realize the fox trot was more comfortable on her back than the hard trot.

Saying Goodbye is Never Easy

By Jennifer Klitzke

Today, I said farewell dear friend, to my Spanish/Egyptian Arabian mare, a great granddaughter of the famous Morofic Egyptian Arabian stallion who was a standing sire for the Egyptian palace for many years.

I’ve been praying about this weighty decision for two months since her last vet call. Nearly 35 years old and missing many teeth made it impossible for Tara to eat hay of any kind to keep her warm. Unlimited Senior feed couldn’t keep weight on her. Then she began to wobble like a drunken sailor. Her lack of coordination was a sign of being 120-something in people years. Then came an early October winter storm that made it clear she didn’t have another winter in her.

Yet, to her very last day, Tara remained the top-of-the-pecking-order boss mare who was the first to greet me in the morning with a nicker.

Making the decision to say goodbye is never easy even though the vet encouraged the decision for a peaceful and humane ending. It was better than finding her on a bitter cold winter day fallen on the ice with no way to get back up.

Yes, that’s true. It still doesn’t make the weight of the decision any easier.

How Tara Squashed the Nevers

Back in the early 1990s, I was searching the Sunday classified ads for a kid’s horse since my 16.1H trakehner/thoroughbred Seilie (aka, Mr. Seilie Monster) was not suitable. Seeing an ad for a 10-year-old, 14.1H, registered, purebred Arabian mare caught my eye.

Why? She was small, an Arabian and a mare. The three things I swore I would never.

Yet, small was practical for kids and her affordable price overshadowed the latter.

After interviewing the man on the phone, he assured me Tara would be a great kids horse. She began as a trail horse, you know.

Arriving to his small hobby farm, I was struck by her beauty which blinded all the red flags:

  • He didn’t want to ride her to show me what she knew
  • He wouldn’t let me ride her or work with her to know what she knew
  • Turns out she was only trail horse at Bunker for a week because it didn’t work out. That’s when he brought her home for his wife (who didn’t ride), and there she sat for the last six years.

I hit the road with disappointment. I loved her look. She reminded me of an Andalusian, my favorite breed. And she had a white heart on her nose the kids would surely love.

A week went by and I couldn’t stop thinking about Tara. If Tara was a kid’s horse, surely he could ride her for me, right? If Tara was a kid’s horse, surely I should be able to take a test ride, right? I called the man back and asked if he would reconsider.

The man agreed as long as I signed a waiver that I wouldn’t sue him if I were injured. Red flag number four.

Well, Tara clearly had little training . On a scale of 1 (lazy) to 10 (hot), she was an 11 (firecracker). I figured I could work with her for a while and she would settle down.

Tara at 27 years old.
Tara at 27 years old.

I remember taking her to the outdoor arena where I boarded. Tara was so explosive that riders began to disappear, one by one. No one wanted to ride with us, because she could rein back as fast as she moved forward and our steering wasn’t very good.

A year later, when she turned 11, I took her to the Brightonwood schooling show and rode her in three Training level tests. The first judge remarked, “Hmmm, perhaps you could look into getting your mare on some hormone treatment to help her settle down.”

Tara at Brightonwood, age 11.
Tara at Brightonwood, age 11.

The last Training Level 3 test was our best. (After schooling her for three hours, she had finally calm down.)

Well, ten years later. That’s how long it took before Tara became that kid’s horse after-all. She packed many young people around: Jumping, dressage, trail riding yee-haw style. Kid’s LOVED it!

Tara introduced many kids to riding including this 5-year-old who later returned as a teen to ride Tara.
Tara introduced many kids to riding including this 5-year-old who later returned as a teen to ride Tara.
One of the many kids who fell in love with Little Miss Tara.
One of the many kids who fell in love with Little Miss Tara.
Another ambition young rider with Tara.
Another ambition young rider with Tara.

Tara brought smiles to many adult riders, too.

First time on a horse for this teen and Tara took good care of her.
First time on a horse for this teen and Tara took good care of her.
Another adult rider who enjoyed Tara.
Another adult rider who enjoyed Tara.
Tara even brought smiles to many grownups, too.
Tara even brought smiles to many grownups, too.

A Gaited Arabian?

After I purchased Makana, my naturally, gaited Tennessee walking horse, Tara picked up a natural, smooth gait on her own. And because it was much more comfortable than her hard trot, I encouraged it. She still had her walk, trot and canter on cue, as well.

My naturally gaited Arabian. Call it a fast walk if you want: it is four beat and smooth with a head nod and her smooth natural gait is like a fox trot leaving my naturally gaited Tennessee walking horse in the dust.

One of my little friends who rode Tara was interested in showing Tara. She hadn’t been to a show since in 15 years, so I took Tara to a dressage schooling show when she was 26 years old to see how she would do. The judge commented, “The free walk on a long rein is not suppose to be a running walk!”

I would normally ride my Tennessee walking horse with a couple other gaited riders on the trail. One day I brought Tara instead.

Unloading her from the trailer, one of the gaited riders asked, “You’re going to ride an Arabian?! You’ll be trotting the whole time to keep up with us, you know!”

“Do you want to bet on that?” I replied.

Birthday ride with Tara when she was 24.
Birthday ride with Tara when she was 24.

Little Miss Tara kept up with the gaited horses without breaking into a trot or canter! She was happy to be the brave leader or to tag along behind.

In fact, when Tara and Makana, my TWH went on trail rides together, Makana could hardly keep up with Tara’s smooth, what-ya-gonna-call-it gait.

Tara’s last trail outing at 30 years old riding across bridges my late father had designed while at the MN State Department of Natural Resources.

All-around Trusted Friend

Tara was my go-to horse for decades between the kids who came to ride. I could ride her anywhere, with horses or alone. She jumped, did dressage, trails, obstacles, sorted cows and team penning. We even rode bridleless. I wish I had gotten into endurance riding earlier in her life, because Tara would have been amazing!

Tara at 26.
Tara was the only horse I've ever trusted enough to give bridleless riding a try.
Tara was the only horse I’ve ever trusted enough to give bridleless riding a try.
Team penning at 26 years old.
Dang, the cows were practically bigger than Tara! She had no fear.
Our first time sorting cows.

I rode Tara until she was 32 years old. Granted our rides were just hacks around the farm, but she still had spunk.

Me and Tara with Ernie enjoying the trails at our farm.

You are forever in my heart Miss Tara. You are the horse that turned those NEVERS into possibilities. You turned me into an Arabian lover, a mare lover and a short horse lover. You became the Arabian who learned a natural smooth gait, and you became that kid’s horse after all.

But one NEVER remains the same: Saying goodbye is NEVER easy.

Riding across the many bridges at Wild River State Park designed by my late father, Gerald Filson.

You and Mr. Seilie Monster are now running free on the other side of the rainbow bridge.

Resolving Resistance with French Dressage

naturally gaited Tennessee walking horse in a piaffe

If I encounter resistance in French dressage, does it mean I am doing it wrong? Or does it mean French dressage is not for naturally gaited horses? Is resistance to be expected? Then how can it be overcome?

Here’s my story…

Resolving Resistance with French Dressage

By Jennifer Klitzke

I have been inspired and have learned so much through my French dressage DVD and book study over the years. I love the harmony the riders have with their horses and how happy the horses express themselves. Thankfully, my horses are happy most of the time. However, resistance pops up when I ask for something new or challenging. How do I know? Their body language says, “NO!” When I ask, they immediately tense, swish their tail, or rush. This doesn’t look like the harmony I see on the DVDs.

Clearly, I am nowhere near the expertise of the French dressage masters shown on the DVDs. This makes me wonder: Am I doing French dressage wrong when I experience resistance? Am I the one creating the resistance? How do I negotiate moving forward in training with my naturally gaited horses without resistance? Is a resistant-free relationship with horses possible? Have my naturally gaited horses reached their fullest potential?

Or could it be resistance is part of any relationship―horses and humans? The differences are whether I acknowledge or avoid resistance and how I work through it. 

Think about it. How successful is avoiding conflict with the people in our lives? Every time we avoid conflict or pretend it isn’t there, the conflict doesn’t go away. It seems to grow bigger when unaddressed. A small conflict becomes all consuming. Now we wish we had addressed it when it was a small matter, right? I wonder if this could be the same for conflict with our horses?

Perhaps resistance means a need for clarification. Perhaps resistance means, let’s slow down, take it step by step and better understand each other. Let’s negotiate through this to a positive outcome where our relationship can be even better on the other side. Perhaps resistance is an opportunity to help my horses experience the potential they haven’t yet realized. Perhaps resistance is an opportunity to seek others for more education to better communicate with my horse.

My naturally gaited Tennessee Walking Horse, Makana, is light to the hand at the halt and walk, yet heavier at a flat walk and canter. I feel like I am in a perpetual demi arret (lifting of the hands). I wonder, “Am I doing French dressage wrong? Is French dressage not for naturally gaited horses?”

For my naturally gaited horse Lady, we have made tremendous improvement this summer by applying French dressage: acceptance of the bit, relaxation of the jaw, tasting the bit, flexions and counter bend turns to move the shoulders. We have established a light following contact with the reins at a halt and walk. Yet, when we move from walk to fox trot, she gets heavy in my hands unless I ride her in a floppy rein. I feel like I am doing a perpetual demi arret to keep her from leaning on my hands. Again, I wonder, “Am I doing French dressage wrong? Is French dressage not for naturally gaited horses?”

Or could it be a mix of application and communication through conflict?

Meeting resistance with dialogue

In October 2020, I was thrilled to bring my naturally gaited Tennessee walking horse, Makana, to another French dressage clinic with Linda Kaye Hollingsworth Jones. In addition to my lessons and auditing the other rider’s sessions, I brought my questions.

Linda has forty years of horse training experience and rode each horse to help instruct the rider. She quickly discovered the horse’s asymmetry to help the rider develop a program that can improve the horse’s balance, strength and flexibility. 

What do you think occurred each time asymmetry was addressed with a horse? Resistance. For me, watching her calmly address and resolve resistance with French dressage answered many of my questions.

I witnessed astonishing transformations as Linda worked with each horse through resistance. For some horses, it meant stepping under the body with the inside hind leg an inch or two more for greater collection and expression. For others, it meant lightness to the leg bringing responsiveness to the lightest cue. For others it meant clarifying aids.

Yes, resistance is a realistic part training horses and French dressage is a humane and kind way to work through it for the best outcome. 

Afterwards, one of the auditors asked, “How do you know if the resistance means the horse is unclear or unable to do what is requested?” 

“Great question,” Linda replied, “Forty years of horse training.” 

Linda’s answer is why I keep pursuing more knowledge through reading books, watching DVDs and taking lessons.

Effective Timing of the Aids

In terms of the demi arret (upward actions with the rein(s) to say to the horse “stop leaning on the bit”), the trotting horse riders struggled with heaviness in trot and canter just as I have in gait and canter. Linda helped us understand the importance of effective timing in the demi arret and décent des mains (stop acting with the hands). The demi arret needs to be applied BEFORE the horse thinks about leaning on the bit and BEFORE the horse is heavy.

Seeing that both resistance and heaviness exist with the non-gaited horses encouraged me to know this is not a gaited horse issue.

downward canter transition
Downward canter transition without collapsing onto the forehand.

Linda coached me and my naturally gaited Tennessee Walking Horse through resistance to a better outcome. Traver-walk transitions began to transform Makana’s lateral left lead canter into a more quality three-beat canter. The pro-active pre-timing and application of our demi arret and décent des mains kept our canter light. Our canter transitions and piaffe quality had improved over the previous clinic.

For me, this clinic answered my questions. French dressage is a way to resolve resistance in the most humane way to a better outcome instead of avoiding conflict and staying stuck. Persevering with an instructor who is in the know helps me discern what is possible and dialogue through conflict to a better ending.

Resistance doesn’t look like harmony. Neither does avoidance. When resistance is met with understanding, kindness, and an educated rider, resistance leads to harmony.

Yes, French dressage is for naturally gaited horses, too! Thanks to French dressage, we are working on upper-level movements, such as shoulder-in, haunches-in, renver, half pass, walk pirouettes, counted walk, half steps, and piaffe which are improving her balance and the quality of her canter.

Piaffe is a great exercise for the naturally gaited horse to improve canter quality and diagonalize lateral gaits.

naturally gaited Tennessee walking horse in a piaffe

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The Missing Link to Lightness

from hard trot to relaxed fox trot

Does your naturally gaited horse lean on the bit? Have you tried just about everything to help your horse be lighter in your hands? It might not be your horse’s relationship with the bit.

The Missing Link to Lightness

By Jennifer Klitzke

Since 1988, I have been a dedicated and passionate student of dressage. Early on I was taught that horses were born on the forehand. It was my job to teach my horse to travel less on the forehand to be lighter. Which body parts are actually responsible for lightness? How do we achieve lightness? This has been a journey. Here’s our story and breakthrough to lightness with my naturally gaited horses.

Are True Bends True?

The first 20 years of my dressage education taught true bend exercises. This means directing my horse’s body bend to the arc of the circle or corner we are riding. I rode my horse from my inside leg to my outside rein to encourage my horse to step the inside hind leg under its belly and maintain forward motion back to front to the bit without popping through the shoulder. We practiced true bends because dressage tests required true bends through the corners and shapes as serpentines, circles and half circles.

To help my horse find balance, I believed I needed to transfer more of my horse’s weight from the forehand to the hindquarters through driving my horse forward using true bend circles. I rode lots and lots of true circles.

Hindsight is 20/20

Back then, I had no awareness of the role the shoulders and chest play in lightness. Although my horse was moving forward from behind and stepping under his body with the hind leg, I was unaware that he was still on the shoulders.

Lightness, yes, he felt light in my hands. Was it true lightness? In hindsight, no. True bends had produced forward movement onto the shoulders into a closed hand. I believed this was a light contact. In fact, I was proud to ride him in mild hollow mouthed double-jointed snaffle! What actually happened was my horse positioned his nose behind the vertical to avoid my hands. His poll was not the highest point. Instead, the highest point was his neck. My horse was light, because he was evading the contact.

I used to believe this was “on the bit.” Even though my horse was light, I see that my horse is behind the vertical, the poll is not the highest point, and the lightness was because my horse was evading a closed hand.

A New Approach to Lightness

Fast forward to 2014. That’s when I began studying French dressage. It opened my eyes to the importance of relaxation of the tongue, lower jaw and poll and its effect on the entire body. I began to learn how to help my horse accept and follow a light contact with a gentle snaffle bit beginning with in-hand exercises. These exercises help the horse find balance at a halt to carry its own head and neck. This means the horse stands in a way that lifts its chest and the horse finds posture while relaxing its lower jaw, tasting the snaffle bit, and following an even steady light contact with my hands.

Watch: Introducing Contact In Hand and In Saddle

Then the same exercises are done in saddle at a halt and then at a slow walk where I follow my horse’s natural head and neck motion with relaxed arms and hands.

If my horse leans on my hands, I apply a cue called “demi arret” which is an upward motion with the reins that make contact with the less sensitive corners of the horse’s lips. The contact communicates with my horse to stop leaning on the bit. It is the horse’s responsibility to carry its head and neck.

I worked with my naturally gaited horses in-hand and then from the saddle at a halt and then at a slow walk. This has progressed well.

Why isn’t the Demi Arret Working at Faster Tempos?

When I moved from a slow walk into the smooth gait or canter, I began to encounter heaviness in my hands with both of my naturally gaited horses. I was following their natural head and neck motion with relaxed arms and hands, yet they were leaning on the bit each time we advanced to more tempo. Hmmmm.

The demi arret has been effective in-hand and from the saddle at a halt and slow walk. I couldn’t understand why the demi arret didn’t seem to be working at a smooth gait or canter. Each time my horse grew heavy, I transitioned down to a slow walk to re-establish a relaxed and light balance and resume the smooth gait or canter.

Unveiling the Missing Link to Lightness

In October 2019, I attended my first Ecole de Legerete clinic with Master Instructor Bertrand Ravoux. There were many take aways from this clinic. Among them were two missing links to lightness I had been searching for in smooth gait and canter. No, it wasn’t a different bit. No, it wasn’t adding a gadget.

The first is a simple exercise that teaches the horse lightness and balance by activating the shoulders through counter bend neck rein turns. For me, this was a mind-blowing reversal in my dressage riding. True bend exercises had been so engrained in my riding that I couldn’t see the purpose for counter bends.

I thought, why train counter bends if true bends are required in dressage tests?!

What is a Counter Bend Neck Rein Turn?

The counter bend neck rein turn is an exercise that shifts the horse’s balance from the outside shoulder to the inside shoulder. The outside foreleg steps forward while the inside foreleg steps into the circle as if the horse is extending sideways. It is a terrific exercise to activate the horse’s shoulders to create balance and lightness.

Counter bend
Counter bend with neck rein moves balance from the outside shoulder to the inside shoulder.

Steps to Counter Bend Neck Rein Turns:

  • The rider positions the horse’s head and neck slightly to the outside bend enough to see the horse’s outside eye
  • To Turn: The rider draws both hands to the opposite side and motions gentle sideway nudges with the reins at the timing of the front leg in motion
  • Important: This is a shoulder moving exercise, not a hindquarter moving exercise; do not use one leg to activate an outside hind or inside hind leg, however, both legs can be used to move the horse forward

Counter bend neck rein turns can be done in serpentines, squares, figure eights, circles and random turns as needed for lightness

Think about it: if the horse is turning through the shoulders, they cannot be on the forehand or leaning on the bit, right?

What a Counter Bend Turn is NOT

This is how NOT to do a counter bend neck rein. Crossing of the outside leg over the inside leg throws the horse out of balance. The purpose of the counter bend neck rein turn is to move the horse in balance from the outside shoulder to the inside shoulder. This will help the naturally gaited horse find lightness in their smooth gait.

How Counter Bends are True

After this clinic I began applying counter bend neck rein turns with my naturally gaited horses. We did serpentines, squares, figure eights, circles and random turns as needed for lightness. These exercises began at a slow walk, to a slow gait, and then we increased the tempo.

To my amazement, the counter bend neck rein turns have freed up my horses’ shoulders. My naturally gaited horses have become lighter in my hands because they are less on the forehand and more balanced overall.

Counter bends eventually improved the quality of our true bends—which actually are straightening around circles and corners since horse’s spines don’t actually bend. Horses’ spines move side-to-side with each step. How can the spine remain at an arc when it is in motion? It can’t.

The Source of Heaviness and the Missing Link to Lightness

Getting back to why the demi arret wasn’t working at faster tempos.

Effective use and timing of aids

First, I need to apply the proper timing of the demi arret with an immediate release (descent des mains) as my horse responds to the demi arret. The proper timing to apply the demi arret is at the moment the head nod is coming up at the flat walk, fox trot or canter.

Awareness of balance

Secondly, rebalancing. Previous to the counter bend neck rein turns, my horses were traveling on their shoulders. The counter bend neck rein exercise has freed up the shoulders and rebalance my horses and now demi arret works in the smooth gait and canter.

Any time demi arret doesn’t lighten my horse, I move the shoulders through counter bend neck rein turns until the balance returns and we proceed.

Counter bend neck rein turns have been my missing link to lightness and balance!

What are your thoughts? Please reach out and send me a message or stay connected by subscribing to the Naturally Gaited youtube channel and “like” us on facebook.com/naturallygaitedhorse.

USA Légèreté with Linda Kaye Hollingsworth-Jones

Nothing beats one-on-one coaching.

My naturally gaited Tennessee walking horse and I put 7 years of DVD and book study to practice at the Légèreté clinic with Linda Kaye Hollingsworth-Jones. 

USA Légèreté with Linda Kaye Hollingsworth-Jones

By Jennifer Klitzke

In October 2019, owners Rick and Kari of the Schmitt Training Center in Sommerset, WI hosted the first Midwestern Légèreté clinic with Certified Master Instructor Bertrand Ravoux from France. This year COVID-19 put a halt to Bertrand’s USA travels. We’ve also learned that further clinics with him need to be filled with committed instructor-in-training students to expand USA Légèreté.

So this year Rick and Kari reached out to USA Légèreté Level One Certified Instructor Linda Kaye Hollingsworth-Jones of Idaho to continue our study. I was thrilled to participate as a student with my naturally gaited Tennessee walking horse, Makana. She was the only gaited horse among impressive breeds: Lusitano, Zweibrücken, Selle Français, Holsteiner, Dutch Warmblood, Norwegian Fjord, Arabian and Thoroughbred. Horses and riders ranged from starting Légèreté to those schooling, extended trot, tempe changes, and piaffe.

My DVD library of Classical French Dressage Master Philippe Karl that I continue to resource as I learn this method with my naturally gaited horses and trotting horses.
My DVD library of Classical French Dressage Master Philippe Karl that I continue to resource as I learn this method with my naturally gaited horses and trotting horses.

Last year’s clinic with Bertrand Ravoux was a perfect introduction to Légèreté. This year, Linda’s clinic took me to the next level of understanding. Not only is she a knowledgeable and experienced rider, trainer and teacher of Légèreté, she is hilarious, personable, and gives each student and horse 110% attention. 

The first day, Linda began by riding each horse through the Légèreté  program to realize the horse’s needs. 

The Légèreté program begins at a slow, organized walk in this sequence of exercises:

  • Fléchi droit: stretching the outside neck muscles while the horse’s body remains straight
  • Neck extensions: stretching the spine and top line while maintaining balance
  • Counter bends: checking shoulder mobility
  • Shoulder in and haunches in on a circle: checking hindquarter mobility
  • Transitions between shoulder in and haunches in along the wall in preparation for half pass
  • Half pass to reverse pirouette
  • Then checking the trot (or gait) and canter

We watched Linda ride each horse in relaxation and lightness to the hand and leg through this sequence of exercises and beyond. We watched her organize her aids to organize each horse into balance. Within 20 minutes, we even watched her ride the advanced horses in extended trot, tempe changes and piaffe!

Riding unfamiliar horses. Horses that didn’t know her. Some were new to the program of Légèreté. Within 20 minutes Linda had a plan to meet each horse’s needs. This truly demonstrated her vast  riding and training knowledge and abilities. Plus, she had the endurance to provide each student 110% through the three-day clinic. Wow!

Each student rode the remainder of the lesson(s) while Linda coached them through the program of Légèreté and into their horse’s training needs:

  • Teaching the rider to organize their rein, leg, seat and weight aids
  • Coaching the rider to organize the horse into balance, lightness, and engagement beginning at a slow organized walk and then into an organized trot (or gait) and canter
  • Organized for the horse means as slow as needed in each gait so that all four legs are under the horse’s body mass

Some of the horses at the clinic were gifted with elegant, long-striding movement. This includes Makana, my naturally gaited Tennessee walking horse who loves to be long from nose to tail. Long-striding gaits make up part of the full range of motion. Horses also need to develop  shorter, collected, carrying steps. These body-building movements develop different muscles and a more balanced posture by folding the hindquarters and bending the hock joints. This collection helps the horse sit behind more in order to raise the wither and lift the chest, head and neck.

Since long-striding movement comes naturally for Makana, Linda introduced her to a more collected and organized walk and smooth gait using the exercises and progression of Légèreté . The organized smooth gait is shorter steps that are more balanced where all four legs are beneath the body mass. This is new for Makana as I have always pursued the longest stride length in her smooth gait. This doesn’t mean I replace the long striding smooth gaits, the organized smooth gait is another smooth gait on cue that builds new muscles for the full range of motion.

The purpose of the shorter-striding movements are not to replace the long-striding gaits, rather improve them and expand upon the full range of motion.

fléchi droit
Fléchi droit is a warm up exercise that stretches the outside neck muscles while riding the horse’s body straight. This teaches the horse how to travel in a straight line with the neck bent 45-90 degrees to the inside before teaching circles. This exercise teaches the horse to be balanced equally on both shoulders without collapsing to the inside shoulder. It is important to establish this shoulder balance before teaching circles, otherwise the horse will learn to fall onto the inside shoulder.
fléchi droit
Linda coaching me in a fléchi droit on a circle where I organize my aids to organize the horse to stretch the outside neck muscles while riding her body on the arc of a circle.
Neck extension
Neck extension: Allowing the horse to stretch out and down, yet not lower than the poll (between the ears) at wither height in order to maintain balance.
neck extension
Linda coaching me from the fléchi droit to a neck extension to stretch without rushing or falling on the forehand. I raise my hands so that I make contact with the less sensitive corners of my horse’s lips instead of pulling back with low hands that would press on the tongue.
Counter bend neck rein turns
Counter bend neck rein turns are the next exercise to see how mobile the horse’s shoulders are. This can be done on a serpentine, circle, square or random squiggle.
Counter bend neck rein turns
Linda coaches me in organizing my rein aids in timing with my horse’s front leg steps. First slightly bend to the outside and see the outside eye, then draw both hands over as the horse steps forward with the outside leg and to the inside with the inside leg which shifts weight to the inside shoulder.
Travere or Haunches In
Shoulder in, Travere or Haunches In on a circle are great exercises to test the mobility of the hind leg stepping under the belly. In Legerete, the angle varies according to what the horse needs in building mobility instead of sticking to a rule of three tracks.
Travere or Haunches In
After shoulder in, Linda coaches me in organizing my rein, leg, seat and weight aids to draw my horse’s haunches into the circle in proper timing with her outside hind leg stepping under her belly.
Renvers or haunches out
Renvers or haunches out is another exercise to check the mobility of the hindquarters.
half pass
Then we proceeded to shoulder in and haunches in along the wall to prepare for half pass. Linda rides Makana from the wall to the centerline in a half pass at a walk. Then at the centerline, she directs Makana into a reversed pirouette.
half pass
The shoulder in and travere prepare my horse for the half pass. Here Linda coaches me in organizing my rein, leg, seat and weight aids to organize Makana to equally step under and over with the hind leg and over with the shoulder in the direction of the bend.
Organized Smooth Gait
Once Makana became more balanced, light and engaged through the exercises, Linda asks for an organized and balanced smooth gait which is on the fox trot spectrum.
Rein back
Linda coaches me through several transitions of rein back to organized walk. The rein back steps need to be smaller so that she sits behind.
poll flexion
Makana maintains a nice poll flexion in the rein back, organized walk, and  lateral exercises yet tends to open the poll at the organized smooth gait.
Organized smooth gait
Linda helps me organize the poll flexion at an organized walk before the transition to the organized smooth gait.

Then Linda coached me through transitions of organized walk travere (haunches in) on a small volte to the organized smooth gait, as well as transitions of rein back to organized walk and organized smooth gait. These transitions help Makana fold more behind, sit, engage and be higher in the wither and lifted in the chest, head and neck. Her organized smooth gait still has a head nod, yet not as pronounced as the flat walk.

rein back
Linda is coaching us with two whips. One asks the hind legs not to step behind the tail and to fold more. The other whip encourages the haunches to bend.
piaffe steps
Linda says that a true piaffe is when the hind quarters bend and lower, the base becomes shorter, and the wither raises. A true piaffe doesn’t need a jump step. Some horses gifted in passage have a harder time learning piaffe and tend to passage in place. They have a harder time shortening the base.
cantering the gaited horse
The final exercise Linda coaches us through is rein back to steps of piaffe to canter. Because piaffe is a diagonal gait, it is great for the gaited horse to learn in order to improve canter quality.

For me, being a student with my naturally gaited Tennessee walking horse in this Légèreté clinic connected many dots in my book and DVD studies. Linda thanked me for bringing such a well-schooled Tennessee walking horse to the clinic—something outside the norm (both a gaited horse at a Légèreté clinic and a well-schooled Tennessee walking horse in Légèreté principles).

My biggest Légèreté clinic takeaways with Linda

The importance of being an organized rider

  • The organization and effective timing of the rider’s leg, rein, seat, and weight aids in order for the horse to become organized

The importance of rider awareness of the horse being light to the hand and leg

  • Becoming immediately aware of heaviness on the rein with a prompt demi-arête and immediate release when the horse stops being heavy
  • Becoming aware of the horse’s light responsiveness to the leg and following up with the whip when needed and an immediate cease of the leg or whip when the horse responds

The sequential progression of the Legerete program

  • Flechi droit: stretching the outside neck muscles
  • Neck extension: stretching the spine and top line
  • Counter bends: checking the mobility of the shoulders
  • Shoulder in and haunches in on a circle: checking the mobility of the hindquarters
  • Shoulder in and haunches in along the wall in preparation for half pass
  • Half pass to reverse pirouette
  • Then checking the trot (or gait) and canter
  • Then once my horse is in balance, maintain it through the next neck extension; the importance of not throwing the horse onto the shoulders once balance has been established

Redirecting Makana’s ideas of opening the poll at will by teaching her poll flexion

  • Allowing the horse an open poll is one thing; the horse choosing an open poll is another and Linda helped me become aware of this

The importance of continual transitions between exercises, gaits, and direction to improve balance, lightness, strength, and lightness

  • Riding transitions often pointed out to me my need to ride more of them, such as preparing Makana in an organized walk on a counter bend volte or a haunches in volte before releasing her to an organized gait down the long side of the arena and transitioning to an organized walk volte at the other end instead of riding several minutes of consecutive unorganized gait

The importance of working the horse’s full range of motion not just the gaits that come natural for the horse

  • This means educating the horse in stretching and body-building exercises both laterally and longitudinally, actively forward and long elegant strides, as well as slow, engaged, short, balanced, carrying steps to improve the quality of all gaits and full range of motion

Using diagonal exercises to break lateral movement such as improving canter quality using diagonal transition exercises as rein back to piaffe to canter and shoulder in and travere on a volte at an organized walk to an organized smooth gait

Teach the horse how mobilize its shoulders in balance

  • Last year Bertrand introduced the counter-bend turns to mobilize the shoulders which has made both of my naturally gaited horses much lighter, more balanced and has improved Lady’s gaits
  • For the horse that is heavy on the forehand (collapsing one or both shoulders) and continually leaning on the hands, a terrific exercise is counter bending the horse just enough to see the outside eye and neck reining with both hands to the opposite direction in timing with the shoulder movements. This is key!
  • By neck rein, it means that the rider draws both hands to the opposite side of the bend. This teaches the horse to move the shoulders. If the horse isn’t moving the shoulders, then the rider makes sideways nudges in timing with the front leg steps until the horse moves or a light tap with the whip on the outside shoulder. (Don’t use the inside leg in this exercise because it will talk to the hind leg instead of the shoulder). This is also key! 
  • This counter bend neck rein exercise can be done on a circle, figure 8, or serpentine changing the bend at each short side to the counter bend and walking straight between bends to the next counter bend loop. Or in a random squiggle so that the horse has to pay attention to the rider

Friends, I highly encourage you to purchase Philippe Karl’s DVDs and books.

Book: Twisted Truths of Modern Dressage

DVDs: Classical vs Classique
Classical Dressage, Parts 1-4

The School of Légèreté, Parts 1 & 2

You will not be disappointed. If you live near a Légèreté clinic, it is a must see! There is discussion about having Linda back for another clinic. No doubt, I will be there as an auditor or rider for sure.

Ecole de Légèreté 

I will continue to share approved photos from the Ecole de Légèreté community on the Naturally Gaited Facebook page. Make sure you “like” and “follow” to stay connected.

flechi droit
Practicing flechi droit at home after the clinic.

Stay tuned. I share my application of what I learned in the clinic with my naturally gaited horses in future posts. I am especially excited to apply all that I learned with Lady, my naturally gaited fox trotting horse in helping her be light to the hand and help my naturally gaited Tennessee walking horse be more balanced.

rein back
Practicing rein back with smaller steps that bend and fold the hind quarters.
piaffe
Since the clinic our piaffe steps are becoming more purely diagonal.

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Dressage is More than Trot

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