Tag Archives: dressage for gaited horses

Second Thoughts About Long And Low

Second Thoughts about Long and Low for the Naturally Gaited Horse

By Jennifer Klitzke

A long and low free walk is a great way to break up pace for the gaited horse. Just make sure you begin with relaxation and balance to maximize your efforts.

Long and low or free walk on a long rein

Dressage is a form of training where the rider communicates with the horse using rein, leg, and seat aids to lead the horse into relaxation, balance, and forward movement without rushing, as well as symmetry and flexibility over time to develop the horse’s full range of motion and quality gaits for long term soundness.

In dressage there are many expressions within a gait. Long and low or free walk on a long rein is one of those expressions. The free walk is a required movement during all dressage tests—Introductory through Advanced.

A quality free walk shows the horse in a state of relaxation. The horse stretches forward, out and down with the head and neck into a light contact with the snaffle bit. The rider follows the natural head and neck motion with relaxed arms and follows the belly sway of the horse with relaxed hip joints. The horse walks with even rhythm, deep steps with each the hind leg under the belly for length of stride and over track.

Long and low or free walk on a long rein has many benefits for the naturally gaited horse:

  • The free walk is an evenly timed four beat gait that helps break up the laterally timed pace
  • The free walk stretches the spine and develops the top line muscles of the horse
  • The free walk develops rhythm and even strides which are foundational qualities in developing quality gaits
  • The free walk improves depth of stride and length of stride as the horse reaches beneath its belly with each hind leg step and over tracks the fore footprint
  • The lowered head and neck position of the free walk stimulates endorphins and relaxes the horse
  • Relaxation of the back reduces tension to aid in smoother gait
  • The free walk is a great way to begin and end every ride with a many stretch breaks within a riding session

A balanced riding position and horse balance

I’ve had the great privilege of auditing and riding with well-known clinicians who travel to my region. One of which is international riding bio-mechanics coach Mary Wanless. She challenges riders to become aware of their balanced riding position. While she teaches riders of trotting horses, the principles of rider position and balance also apply to naturally gaited horses.

Jennifer Klitzke riding at a Mary Wanless Clinic
Jennifer Klitzke riding her Spanish Mustang at a Mary Wanless Clinic and getting established in the A,B,Cs of riding biomechanics.

Long and low but not too low

The study of French dressage pulled back another layer of awareness for me with my gaited horses. It helped me see the difference between just letting my horse lower its head and neck as low as possible to lowering the head and neck while maintaining balance. French dressage helped me recognize that the free walk is a full body activity. You see, long and low is not beneficial if the horse in on the forehand and disengaged from behind.

French dressage encourages a neutral neck extension position instead of as low as the horse can go. A neck extension can be done at a walk, trot, or flat walk. It allows the horse a maximum stretch of the top line muscles and spine by allowing the horse to stretch out its head and neck, forward, out and down, but no lower than the poll at wither height. This helps the horse maintain more chest posture and balance.

The feeling of balance and its application for the naturally gaited horse

FEI dressage rider Heather Blitz describes the feeling of balance using this metaphor. While riding, imagine if your horse had a medicine ball which freely moves around its insides. Where does the weight of the medicine ball feel like it sits most? Does it feel like it rests in the horse’s chest or beneath your seat? The former indicates that the horse is more on the forehand and the latter indicates that the horse is more in balance with the rider.

Long and low in balance

Now think about long and low. If I were to release my horse into a long and low frame while her balance feels like the medicine ball is in her chest, what quality of free walk would we produce? My naturally gaited Tennessee walking horse would be traveling on the forehand, right? She would be pulling herself forward with her front legs, chest muscles collapsed, and her hind legs would be disengaged with shorter strides. This means her hind leg steps would trail behind her tail more than step deep beneath her body and create less over track with the fore hoof prints.

Now that I’ve become aware of how it feels when my horse is in and out of balance, it is important establish her balance BEFORE releasing the reins to a free walk on a long rein.

dressage for the gaited horse and rider
The yellow lines show balanced alignment. The horse’s foreleg is perpendicular with the ground while the yellow and green lines at the tail shows how much of the hind step is under the body and planted under the rider. The center yellow line shows a balanced riding position over the horse’s center of gravity.

The feeling of balance

This medicine ball metaphor has helped me discover the feeling of balance and what to do when I lose it. Each time it feels like the medicine ball rolls into my horse’s chest, I begin with a half halt or transition from walk to halt to walk. If the medicine ball still feels like it is in my horse’s chest, then I transition from walk to halt, take a couple steps of rein back until I feel the medicine ball roll beneath my seat. Then in a feeling of balance, I encourage my horse to take the reins long and low into a free walk. I feel her hind legs step deeply beneath her belly beneath my riding position.

Free walk on a long rein is a great way to break up pace for a natural, four-beat, smooth gait. It also improves depth of stride, length of stride, rhythm and relaxation. Just remember to establish balance before releasing the reins to maximize your efforts.

Watch: A Balanced Free walk on a Long Rein

Free walk on a long rein in a balanced position.

Watch: A Balanced Free walk on a Loose Rein

Free walk on a loose rein in a balanced position.

What are your thoughts? I’d love to hear from you. Please reach out and share your story by sending me a message. Or stay connected by subscribing to the Naturally Gaited youtube channel and follow our community on facebook.com/naturallygaited.

How Relaxation Improves Quality Smooth Gaits

How relaxation improves smooth quality gaits
Moments of riding in a long and low position helps the naturally gaited horse relax.

A key in improving quality smooth gaits for the naturally gaited horse is mental and physical relaxation. So, where do you start?

Barefoot Naturally Gaited Tennessee Walking Horse Flat Walk

In this post, we will explore:

Does Rhythm Produce Relaxation?

How Tension Affects the Horse and Rider

How Tension Affects Gaits

How French Dressage for the Gaited Horse Leads to Relaxation

How to Introduce the Gaited Horse to Accept and Follow Snaffle Bit Contact

How Relaxation in Mind and Body Creates Smooth Gaits

Does a Relaxed Rider Make a Difference?

Does Rhythm Produce Relaxation?

I began riding dressage with non-gaited horses in 1988. Back then we didn’t have videos, the internet, and the plethora of resources we have today. We were fortunate to have a traveling instructor to teach us.

The Pyramid of Training began with rhythm followed by relaxation. We believed that rhythm produced relaxation. So, for my first 20 years of dressage riding with non-gaited horses, I either lunged my horse until they relaxed (or worn out) or I rode them in 20-meter circles until they were relaxed (or bord). This is what was taught and what I did. I didn’t know there was another way.

Dressage training pyramid

How Tension Affects Horse and Rider

In 2007, I acquired a three-year-old naturally gaited Tennessee Walking Horse, Makana. I continued the dressage I learned with non-gaited horses. When she was young, Makana often worried about her surroundings and tensed her body. Tension created stiff movement. Was it quality smooth gaits. Not really. Mostly step pacing and a pacey canter.

Makana’s spooking certainly didn’t create relaxation in me. My tense reaction only reinforced her fear, step pacing, and perpetuated her worry. If I continued to ride her while she is worried, I felt like I was riding a stiff plank blowing in the wind, swirling around with each spook−praying to God that I stayed on long enough to establish rhythm in hopes of bringing about relaxation.

I wondered how long does a nervous rider ride a nervous horse through spooks and tension before rhythm is established and relaxation sets in for the horse?

If I could sweat it out, riding a step pacing stiff plank in the wind for an hour, was this really the best approach? What was I teaching my horse? Am I conveying anything positive to my horse through miles of tension? By working a worried horse, wasn’t I training my horse to be worried and reinforcing her fear with my fear? I certainly was reinforcing my fear!

Perhaps a relaxed rider could have helped Makana through her tension and spooking to rhythm until she relaxed. For me, it wasn’t working.

How Tension Affects Gaits

Does tension produce smooth gaits?

With my naturally gaited foxtrotting horse, Lady, when she was tense in her lower jaw, mouth, and poll, she tensed her back and that meant a rocky ride. Leaving it up to her, she’d grab the bit and blast off into a hard, hollow trot. If I pulled on the bit to slow her down, she trotted off even faster. She wasn’t having fun, and neither was I.

Perhaps after a few miles of a hard trot, Lady would have been tired enough to relax into a smooth gait. However, what kind of muscle memory was she learning if I were to lunge and/or ride Lady through the rhythm of a hard, hollow trot for miles until she wore out into relaxation? Wasn’t she just learning to run away in tension until she gave up? I had to find another way.

Barefoot and bareback naturally gaited Tennessee walking horse at 17 years old.

How French Dressage for the Gaited Horse Leads to Relaxation

In 2013, I began studying French dressage and applying it with my gaited horses. I began learning ways to lead my horses into relaxation of mind and body.

I purchased French Dressage Master, Philippe Karl’s DVDs: Classic vs Classique, Classical Dressage Volumes 1-4, and The School of Legerete. I also purchased and study his books: Twisted Truths of Modern Dressage and The Art of Riding.

Philippe-Karl-Legerete-DVDs-video-camera
My DVD collection of Classical French Dressage Master Philippe Karl.

In addition, I purchased Another Horsemanship, by the late French Dressage Master Jean-Claude Racinet and a video produced by one of his students, Lisa Maxwell, Getting Started in Lightness: The French Classical Dressage of Francois Baucher as Taught by Jean-Claude Racinet.

Jean Claude Racinet's book and Lisa Maxwell's DVD
The late Jean Claude Racinet’s book Another Horsemanship and Lisa Maxwell’s DVD Getting Started In Lightness: The French Classical Dressage of Francois Baucher as taught by Jean Claude Racinet presented by one of his students Lisa Maxwell.

While Karl and the late Racinet teach dressage for non-gaited horses, I have found these methods work well for my naturally gaited horses and for me as the rider and trainer. The core of the French dressage philosophy is “respect for the horse” and the foundation of training is relaxation and balance (developed by the hand aid) and impulsion (developed by the leg aid) with separation of the “stop” and “go” aids. The ideal is to train the horse to be responsive to the lightest hand and leg aids.

Watch: How to Introduce the Gaited Horse to Accept and Follow Snaffle Bit Contact

This video shows How to Introduce the Gaited Horse to Accept and Follow Snaffle Bit Contact. The best ways to introduce contact is in hand. Then once the horse learns how to accept and follow a light snaffle bit contact, the same flexibility exercises can be applied in saddle at a halt. Then at a slow walk. The tempo may be increased as long as the horse remains relaxed. If the horse gets tense, bring the horse back to a slower tempo or a halt to restore relaxation.

Educating the horse’s mouth

Instead of lunging and riding a worried or tense horse for miles and miles in hopes to develop rhythm leading to relaxation, I have learned in-hand relaxation and balancing exercises. Then I proceed with the same relaxation and balancing exercises from the saddle at a halt and then at a slow walk. Progressively over time, I increase the tempo to a smooth gait and canter.

Anytime the horse begins to get tense or anxious, I slow down the tempo until relaxation is restored.

After establishing relaxation and balance at a halt, then exercises such as the shoulder in are added.

Through the work in-hand relaxation and balancing exercises, I’ve developed a better partnership of communication and trust with my gaited horses. I’ve found that learning these in-hand relaxation and balancing exercises make riding easier, since my horses already understand what I’m asking for. Within a few minutes of in-hand exercises, my horses are relaxed and ready for quality smooth gaits.

flechi droit
The Flechi droit on a 20-meter circle asks the horse to keep its body bent to the 20-meter circle while the head and neck bend more. This helps the horse find balance in the shoulders, stretches the outside neck muscles, and prepares the horse for balanced circles.

I might have an idea about what I’d like to work on during a riding session, but I am open to adjust these ideas to meet my horse needs. This way we have a productive ride.

Shoulder in on a circle
Shoulder in on a circle and pivot the fore help Lady engage from behind, lift her back and whither by activating her abdominal and chest muscles, and relaxing the jaw, tasting the bit, getting softer on the bridle, and accepting contact.

Anytime my naturally gaited Tennessee walking horse gets worried, or my Foxtrotting mare gets tense in her body, I just ease down to a slow walk, halt or even dismount to work in-hand and restore relaxation. I don’t proceed until I’ve established relaxation of mind and body.

How relaxation in mind and body creates smooth gaits

For me and my naturally gaited Tennessee Walking Horse, Makana, we don’t pass “GO” before she is relaxed in her mind, then her body. And for my naturally gaited foxtrotting mare, Lady, we don’t proceed until she has relaxation in her body, and then her mind.

Without relaxation, there is no quality rhythm, no quality steps, no trainable or teachable horse to produce quality smooth gaits.

Thankfully French dressage has been the training philosophy I needed for my naturally gaited horses. Directing the horse to relaxation in mind makes a teachable horse−less tense and distracted and able to stay more focused on our time together. Teaching the gaited horse to relax its body leads to smoother gaits.

Ways to lead the horse into relaxation are:

  • Teaching the horse to accept and follow a light snaffle bit contact
  • Teaching the horse how to relax the mouth, lower jaw, and poll which will help the horse relax the back
  • Riding with a snaffle bit contact and following the natural head and neck motion with relaxed hands, arms, and shoulders
  • Developing a partnership of trust and harmony with the horse

Relaxation of the horse’s jaw and back are especially important for the naturally gaited horse. The gaited horse is more prone to pacing when there is tension in the mouth, lower jaw, poll, and back, and has learned bit avoidance.

My Tennessee Walking Horse has learned to relax her mouth, lower jaw, poll, and back. The step pace and lateral canter are gone. Now she has quality smooth gaits such as flat walk, running walk and saddle rack, and her canter is a quality three-beat canter.

natural Tennessee walking horse flat walk
Smooth, natural gaits such as the flat walk, running walk, fox trot and saddle rack are fun to ride! Shown above is a naturally gaited and barefoot Tennessee walking horse performing an evenly timed, four beat flat walk with a head nod.

For my foxtrotting mare, by relaxing her mouth and lower jaw helps her relax her back. The hollow, hard trot is gone. Now she consistently offers a smooth gait.

balanced fox trot with contact
Relaxation of mind and body has transformed Lady’s gait from hard trot to smooth gait.

Does a Relaxed Rider make a Difference?

Applying French dressage with my gaited horses in hand and in saddle has built my confidence as the trusted leader in our partnership. It has also helped me be a more relaxed rider when we increase the tempo to a smooth gait or canter.

Over the last several years, I have learned tools that have helped me become a more relaxed and confident rider. My relaxation and confidence lead my naturally gaited horses into relaxation of mind and body. From this relaxation in both me and my horses I can then help them produce quality, smooth gaits.

Neck extension at a flat walk
Riding my smooth gaited Tennessee walking horse Makana in a flat walk with neck extension. The neck extension allows the horse to both stretch its spine and build its top line while allowing maximum stride length.

Learn more about Dressage for the Gaited Horse

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Straightness Improves Even Smooth Gait

Straightness improves even gait
How straightness improves flexibility and even stride for quality smooth gaits.

What is straightness? Does this mean riding straight lines? Why train straightness with your naturally gaited horse and how does straightness improve even, quality smooth gaits?

Straightness Improves Even Smooth Gait

By Jennifer Klitzke

It might be surprising to know that the quality of straightness in dressage isn’t about traveling straight lines. Straightness develops symmetry and an ambidextrous horse that is flexible and supple. Straightness is key to develop quality smooth gaits with even strides.

Did you know that most horses are born right sided or left sided? This happens as they develop in the womb curved to one side. The inside curve of the body contracts and the outside of the body stretches.

This foal development in the womb produces imbalances in the naturally gaited horse including, stiffer outside muscles in one direction more than the other; unequal use of shoulders; tilting the poll; and an unequal use of carrying and weight bearing of each hind leg that impacts rhythm and a steady head nod for naturally gaited Tennessee walking horses and Fox Trotting horse.

How to Improve Even Quality Smooth Gaits with Straightness

Improve straightness by discovering the stiffer side

One way to know which side your horse is more contracted is to notice which side the mane falls. It flops to the inside of the curve while the horse is formed in womb. After the horse is born, the mane continues to flop to the same side.

While riding a horse that hasn’t developed symmetry or straightness, you’ll notice that it is easier to ride a circle in the direction where the mane flops to the inside of the circle. When you reverse the direction, it will be harder for the horse to maintain a circle because the outside muscles are stiffer when the mane-flopping side faces outside of the circle. Often riders think their problem is with the inside bend of the horse. Rather, the real problem is the outside muscles are stiff and the horse is having trouble stretching to produce a bend to the inside.

In other words, a horse struggles to stretch its outside muscles which causes the symptom of not being able to bend to the inside of the circle.

Riders need to help their horses become ambidextrous by stretching the stiff outside muscles until their horses are equally flexible in both directions. Riding your naturally gaited horse on a 20-meter circle is a great way to begin—twice as much in the direction of stiff outside muscles.

Improve straightness by noticing shoulder imbalance

Another way asymmetry presents itself on a circle is when the horse leans on the inside shoulder one direction and falls out through the shoulder the other direction.

Improve straightness by noticing poll imbalance

Also, the horse’s head will tilt at the poll. A great sign is when the ears aren’t level. This usually happens when the horse is traveling with its mane-flopping side to the outside of the circle where the muscles are stiffer and need to stretch.

Improve straightness by noticing uneven rhythm

In addition, the stiffer side and more flexible side on a circle affect how the horse uses its hind legs. One leg bears more weight under the body and the other will push more from behind. This becomes noticeable on a circle. The horse tends to step shorter and under its body with the hind leg of the mane-flopping side while the other hind leg will push more from the non mane-flopping side. This uneven use of the hind legs produces an uneven rhythm.

Improve straightness by noticing uneven head nodding

This uneven rhythm on a circle really becomes apparent for naturally gaited breeds such as the Tennessee walking horse and Fox trotter. Why? Because there are more moving parts than the trotting horse. Not only do all legs move independently to produce a smooth, even four-beat gait, but these breeds have a head nod. It is much easier to create rhythm in the trotting horse breeds because there are less moving parts.

For the naturally gaited horse, the lack of straightness or symmetry really becomes apparent when riding on a circle. The horse might take a few consistent steps in a smooth, even four-beat gait rhythm and then lose rhythm, break gait, begin to rush, or have uneven hind leg steps.

Think of riding a circle as two circles not one

Part of the reason the horse loses rhythm on a circle is that the horse’s outside muscles are stiff. Another reason is that a horse is actually traveling on two circles: a larger circle with its outside legs and a smaller circle with its inside legs.

Here’s an extreme example, yet it illustrates the point that the outside of a circle is a bigger than the inside of the circle. Have you ever watched a drill team perform a circle in a straight line? You’ll notice that the horses in the center are barely moving. Each consecutive horse moves faster until you reach the end of the line. The end horse is galloping in order to maintain a straight line.

In order for the horse to maintain rhythm, it needs to lengthen and stretch the outside of its body to take bigger strides with its outside legs in order to keep up with the smaller circle of the inside legs. It will be easier for horse to travel on a circle with its mane-flopping side to the inside, because the non mane-flopping side stretches more easily. Switch directions and it will be more difficult, because the horse has to stretch its stiffer outside muscles and take longer strides to keep up with the smaller inside circle.

This is one big reason why circles are used so much in dressage to help horses become ambidextrous. As the horse advances in its flexibility, the circles get smaller to increase the stretching of the outside muscles. Twenty meter-circles become 15-meter circles to 10-meter circles.

If you’ve ridden your naturally gaited horse in a circle, you’ve likely felt the difference between one direction and the other. Now you know why. It is up to us to develop our naturally gaited horses evenly on both sides by stretching the stiff outside muscles using circles and lateral exercises Shoulder-in, shoulder-out, haunches in, and haunches out are great lateral exercises that stretch the outside muscles and also teach our naturally gaited horses balance in their chest and shoulders. Chest balance lifts the head and neck and the wither. The horse learns to carry its own head and neck and not lean on the bit and the rider’s hands.

In the end, straightness training on circles and lateral exercises will help our naturally gaited horses become more even in their strides, consistent in their rhythm and head nod, and stronger and more flexible in both directions.

In addition to lots of circles, below are three of my favorite exercises that help develop straightness, flexibility and balance: the flechi-droit, counter bend neck rein turns, and the shoulder-in on a circle. These exercises can be introduced to your horse in-hand and then in the saddle at a walk and later in gait.

Exercises for Straightness, Flexibility and Balance

flechi droit
The Flechi droit on a 20-meter circle asks the horse to keep its body bent to the 20-meter circle while the head and neck bend more. This helps the horse find balance in the shoulders, stretches the outside neck muscles, and prepares the horse for balanced circles.

Flechi-droit (pronounced fleshy-doowa)

The flechi-droit isn’t an exercise taught in mainstream dressage. It is a French dressage exercise. To me, the exercise looks and feels super weird, but the flechi-droit produces so many great benefits for the horse and coordination of aids for the rider.

  1. The flechi-droit teaches the rider coordination of the rein aids.
  2. The flechi-droit stretches the outside neck muscles of the stiff outside muscles which is important in developing straightness.
  3. The flechi-droit teaches the horse straightness in the shoulders, meaning the horse isn’t leaning on the inside shoulder or falling out with the outside shoulder.
  4. The flechi-droit is a great preparatory for circles. Developing straightness in the shoulders using the flechi-droit is crucial before introducing circles. If the horse develops a habit of leaning on the inside shoulder, the horse develops a habit of being crooked, not straight, and the rider develops the feeling of crookedness as the norm.

    When the horse is straight in the shoulders, the horse can be introduced to circles. In this way, the rider will feel if the horse begins to lose straightness. Then the rider can return the horse to the flechi-droit for straightness and try the circle again.

In the flechi-droit, the horse’s body travels straight along the wall or following the arc of a 20-meter circle and the neck is bent inward 45 to 90-degrees. The flechi-droit is introduced in hand at a halt and walk and then in the saddle at a halt and then a slow walk. Later the flechi-droit can be applied at a trot or gait once the horse and rider are comfortable in the exercise.

Counter bending

The purpose of the counter bend neck rein turn is to move the balance from the outside shoulder to the inside shoulder. This will help the naturally gaited horse find lightness in the smooth gait.
neck rein turn out of balance
This is how NOT to do a counter bend neck rein. Crossing of the outside leg over the inside leg throws the horse out of balance. The purpose of the counter bend neck rein turn is to move the balance from the outside shoulder to the inside shoulder. This will help the naturally gaited horse find lightness in there smooth gait.

Sequence of counter bending aids:

  1. Begin at a very slow walk
  2. The rider positions the horse’s head and neck slightly to the outside bend enough to see the horse’s eye
  3. Then the rider draws both hands to the opposite side and motions gentle sideways nudges with the reins at the timing of the inside front leg in motion to shift the horse’s balance from the outside shoulder to the inside shoulder
  4. The outside leg steps forward while the inside leg steps into the circle as if the horse is extending sideways
  5. As the rider and horse get a good sense of the sequence and timing of aids, the tempo can increase
  6. Counter bend neck rein turns can be done in serpentines, squares, figure eights, circles and random turns as needed for lightness

I have been applying counter bend neck rein turns with my naturally gaited horses for a couple years now. We do serpentines, squares, figure eights, circles and random turns as needed for straightness and lightness. These exercises began at a slow walk, to a slow gait, and then we increased the tempo.

To my amazement, the counter bend neck rein turns have freed up my horses’ shoulders. My naturally gaited horses have become lighter in my hands, because they are less on the forehand and more balanced overall.

Think about it: if the horse is turning through the shoulders, they cannot be on the forehand or leaning on the bit, right?

Counter bends eventually improved the quality of our true bends–which actually are straightening around circles and corners since horse’s spine doesn’t actually bend. Horses spines move side-to-side with each step. How can the spine remain at an arc when it is in motion? It can’t.

Shoulder-in on a circle

shoulder-in on a circle
Shoulder in on a circle: this exercise checks the mobility of the horse’s hind leg stepping under its belly.


One of my favorite exercises for improving balance in the naturally gaited horse are shoulder-in voltes (shoulder in on a small circle). It is helpful to teach the horse this exercise in-hand and the introduce shoulder-in on a circle while riding at a “slow” but “active” walk.

Benefits of shoulder-in volte for the rider and horse:

  1. It teaches the rider the coordination of hand, leg, seat, and weight aids.
  2. It stretches the outside muscles of the horse’s body to develop equal flexibility in both directions.
  3. It strengthens the horse’s inside hind leg as it steps under its body.
  4. It produces balance when the horse lifts its chest and shoulders and engages its hindquarters to lighten the forehand.
  5. It produces softness.
  6. The shoulder in ultimately improves the quality of the natural smooth gaits as the medium walk, flat walk, running walk, and canter.

Watch the video below of me and my naturally gaited Tennessee walking. While we perform the shoulder-in on a circle, I’ll explain the rein and weight aids, the importance of maintaining an even contact with both hands to the snaffle bit, while following the natural head and neck motion of the horse in walk, flat walk, running walk and canter.

Is your naturally gaited horse really stiff in the jaw and poll? This next blog post has many great exercises to teach your naturally gaited horse that will make the rest of your smooth gaited riding easier. Beginning lessons in Legerete>

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Pace & the Naturally Gaited Horse

Pace and the Naturally Gaited Horse

Classical French Dressage Master Philippe Karl offers unique insights to break up pacey walks in trotting horses. If this is true, this can also remedy pacey naturally gaited horses.

Pace and the Naturally Gaited Horse

By Jennifer Klitzke

Recently I came across a Facebook post from Becky Holden, an accomplished dressage rider/trainer/instructor/clinician, licensed School of Légèreté teacher, and long-time student of Classical French Dressage Master Philippe Karl (PK), founder of the School of Légèreté.

In Becky’s last clinic lessons with PK, she rode a younger trotting horse that had a tendency to pace at the walk.

Yes, even trotting horses can struggle with a pacey walk often called a camel walk.

What I found interesting was PK’s insights as he taught Becky how to help her horse break up the pace to a natural four beat walk. I believe PK’s insights translate directly to naturally gaited horses that struggle with pace.

PK explained that horses with a pacey walk are lazy with their hind legs and/or are too quick with their front leg steps.

To remedy the pace, PK’s suggestions to Becky are that, “We need to stimulate activity from the hind legs with shoulder-in on the circle and slow down and give amplitude to the front legs with neck rein turns or counter shoulder-in on the circle.”

Neck rein turns are a great way to lighten a horse that is heavy on the shoulders. By neck rein, the rider draws both hands to the outside of the bend with equal light contact and a nudge sideways if needed.

Counter bend
Counter bend with neck rein moves balance from the outside shoulder to the inside shoulder.

In addition to a counter bend neck rein on a circle, you can do a counter bend figure eight or counter bend serpentine by changing the counter bend and neck rein for each circle or serpentine loop. For a serpentine, slightly bend the horse to the outside of a serpentine and neck rein (counter bend) the opposite direction of the bend. Then straighten the horse a few steps and bend the other direction and neck rein (counter bend) the opposite direction of the bend and straighten a few steps until the serpentine is complete.

After a couple figure eights or a serpentine, liven the horse in a forward gait along the straight side and repeat the figure eight or serpentine counter bend neck rein exercise. Theses exercises can be first taught to the horse at a walk and then at a trot or gait.

Don’t practice pace—practice quality gait

Instead of practicing a poor quality gait, such as a pacey walk, PK encourages riders to apply plenty of transitions between gaits and exercises using the rein back; figure eight at a walk (one circle shoulder-in and the other circle counter shoulder-in).

Then the rider can proceed in a straight line while maintaining a quality slow, yet forward walk in rhythm; and trot [gait] shoulder-in on the circle, transition to walk shoulder-in on a circle, and transition back to trot [gait] shoulder-in on a circle.

Rein back engages the hindquarters and lifts the back and wither
Lady is being ridden in a Dr. Cook bitless bridle showing rein back on a loose rein. The rein back engages the hindquarters and lifts the back and wither.

I find PK’s insights regarding pace interesting. Often our remedy to pace in the naturally gaited horse world focuses on relaxing the back through lots of long and low. Many times the long and low gets too low where the poll falls below the whither and the naturally gaited horse develops a habit of traveling on the forehand. When the horse is on the forehand it trips more often and this can be dangerous for the rider.

Long and low on the forehand disengaged from behind
Long and low can relax the back and break up pace, but it can also cause the horse to disengage the hind legs and fall on the forehand.

By controlling the timing of the foot falls using transitions and lateral exercises, PK’s approach improves balance on all four legs, relaxation, and quality of natural gaits.

Shoulder in on a circle
Shoulder in on a circle helps Lady engage from behind to step under her belly, lift her back and whither by activating her abdominal and chest muscles, improving balance, and relaxing her jaw, tasting the bit, getting softer on the bridle, and accepting a light, stead, even contact with both reins.

In fact, PK doesn’t support long and low (when the horse’s poll is below the height of the wither) because it trains the horse to travel on the forehand, slouching its pectoral muscles, and travel out of balance. Instead he teaches neck extension (head, neck and nose out and down yet no lower than poll to wither height) in a forward walk, trot or canter.

The neck extension provides the same great benefits as long and low, yet maintains the horse’s balance, plus relaxation, strengthening the top line muscles, stretching the spine, and improving engagement.

Neck extension at a flat walk
This is a great example of a neck extension at a flat walk. My naturally gaited Tennessee walking horse is engaged, lifting her back, stretching out, forward, and down at chest level with an even snaffle bit contact.

My naturally gaited fox trotting horse Lady showing a quality trot on cue.

For more about Philippe Karl and the School of Légèreté, visit philipp-karl.com.

For more about Becky Holden, visit Riding from the Ground Up.

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Gaited Trail Horse or Gaited Dressage Horse?

Gaited Trail Horse or Gaited Dressage Horse Why not Both

Gaited Trail Horse or Gaited Dressage Horse—Why not Both

By Jennifer Klitzke

Whether you have a talented naturally gaited horse for the trail or dressage ring, versatility training helps them be smoother, safer, and sounder for longer.

I have two naturally gaited horses: Lady and Makana. Lady is a fox trotting grade, gaited horse who is phenomenal on the trail. Makana is a registered Tennessee walking horse who is gifted for gaited dressage. While each is wired for the trail or the gaited dressage show ring, I like to expand their worlds, and here’s why…

The Naturally Gaited Trail Horse

Me and Lady
Me and Lady at the scenic St. Croix River vista.

My naturally gaited fox trotting mare, Lady, was born for the trail. She is bold and smooth and loves exploring nature just as much as I do. She loves being ridden on a long, floppy rein without the constant dialogue of rein, leg, seat and weight aids. 

Is Lady gifted to be a gaited dressage show horse? I don’t think so. Her conformation provides challenges with a long, hollow back and shorter legs. She doesn’t have a natural over track (where the hind leg steps over the fore foot print). And Lady is built heavy on the forehand.

Can Lady learn dressage? Absolutely. But, if I’m not interested in showing Lady in gaited dressage, why would I teach her dressage?

Here are three great reasons why I teach dressage to my naturally, gaited trail horse:

  1. Improving natural smooth gaits: Dressage helps Lady improve the quality of her natural smooth gaits through teaching her balance, relaxation, rhythm, engagement, connection, straightness, and collection. By improving the quality of Lady’s naturally smooth gaits, we can cover a lot of ground faster on the trail and my body won’t pay for it later.
  2. Improving soundness: Dressage teaches Lady how to re-position her posture from hollow to neutral which can help Lady be sounder on the trail for many more years to come.
  3. Improving balance: Dressage helps Lady re-distribute her weight from traveling on the forehand to developing balance to carry her weight on all four legs. This balanced posture will prolong Lady’s soundness on the trail. Plus, she won’t trip as much when she isn’t on the forehand, and that will keep me safer and more secure as a rider.
Engaged relaxed balanced fox trot in connection with rhythm and contact
Here’s Lady ridden in a Dr. Cook bitless bridle showing an engaged, relaxed, and balanced fox trot in connection with rhythm and contact.

The Naturally Gaited Dressage Horse

Flat walk
Makana and I showing gaited dressage at an open dressage schooling show.

Then there’s my naturally gaited Tennessee walking horse, Makana. She is gifted with good conformation and naturally balanced gaits. Makana has a natural over track of three to four hoof prints. She enjoys the gaited dressage show ring and likes the two-way communication between us. Makana likes learning new exercises like leg yield, shoulder in, haunches in, rein back, roll backs, cantering rails and gymnastic jumping. She also enjoys a variety of smooth, easy gaits on cue: freewalk, medium walk, flat walk, running walk, fox trot, saddle rack, canter, counted walk, and piaffe. 

Makana Crow Hassan
Makana takin’ a real close look at that trail sign and wonders, “Are we there yet?”

On the trail, Makana becomes overly reactive. She gets nervous and can spook without notice. Does that mean I should never ride Makana on the trail? I don’t think so. 

While on the trail, I converse with her through my rein, leg, seat and weight aids to help her relax and stay balanced. This way she is less spooky and settles into enjoying nature. I wear my helmet, ride with others, and we have a good ol’ time. (Plus, trail riding is one way to get my husband to join me.)

Since acclimating Makana to trails, we enjoy endurance riding as well.

Dressage helps the naturally gaited horse be more versatile

So to me, dressage is more than the show ring. Through dressage, naturally gaited trail horse can develop smoother natural gaits, become more balanced and trip less to keep the rider safer, and improve their posture and muscle development to keep stay sounder longer.

For the naturally gaited dressage horse, dressage helps them on the trail as well. Using dressage, the horse and rider can converse through two-way dialog, where the rider can lead the horse into relaxation and balance. As the reactive horse becomes more relaxed, it will be less spooky.

Naturally gaited trail horse or naturally gaited dressage horse? How about naturally gaited trail AND dressage horse.

If you are on this gaited dressage journey, I’d love to hear from you. Contact us»

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