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The Lesson I didn’t Expect was the Lesson I needed Most

The Lesson I didn't Expect was the Lesson I needed Most

By Jennifer Klitzke

The Lesson I didn’t Expect was the Lesson I needed Most

How many of you have trailered in for a lesson or clinic with expectations, only to be caught by surprise? What was your reaction? I’ll tell you about mine…

Ecole de Légèreté (School of Lightness) is for ALL horses

If you have been following Naturally Gaited the last few years, you know how much I respect the teachings of Classical French Dressage Master Philippe Karl and his training philosophy and methodology called the Ecole de Légèreté (School of Lightness).

In the last few years, Ecole de Légèreté clinics have come to the United States to host teacher certification training. This is a long process and for the dedicated few, they become certified Ecole de Légèreté instructors. I am thrilled that the United States is hosting more and more Ecole de Légèreté teacher certification clinics and even more excited that the United States has teachers in training with a handful of certified Ecole de Légèreté instructors.

What I love so much about Ecole de Légèreté, is that it is training “for” the horse. It meets the horse’s needs, not by the demands of the rider. It isn’t a “make” the horse do, it is an “ask” the horse to do philosophy that builds partnership, harmony, and trust between horse and rider. Ecole de Légèreté teaches the rider a balanced riding position and effective use and timing of rein, leg, seat and weight aids to bring the horse into balance, relaxation, rhythm, connection, engagement, straightness and collection over time.

Best of all, Philippe Karl believes that if the training is good, it will work with all horses, not just the talented ones. This includes the upper level movements such as piaffe, passage, and Spanish walk.

And if Ecole de Légèreté benefits all horses, I will add, including naturally gaited horses.

In 2016, while on vacation in Seattle, WA, I learned of Nichole Walters, an Ecole de Légèreté instructor in training. I took a few lessons on her school horse while I was in Seattle, and she got me started on my path.

I spent the first two lessons just working in hand—not exactly what I had in mind.

Was I disappointed? If I am honest, yes. However, these lessons were foundational and exactly what I needed to learn BEFORE I applied these concepts in the saddle, such as following the horse’s head and neck with a light, equal connection to the horse’s mouth. Learning these in-hand exercises made it so much easier for both me and the horse when I began riding.

Ecole de Légèreté is coming to the Midwest

Since 2016, I have been applying what Nichole taught me with her school horses at home with my naturally gaited horses. I have longed to audit and/or ride at an Ecole de Légèreté clinic, but they have been so far away until now.

Ecole de Légèreté is coming to Schmitt Training Center in Somerset, Wisconsin October 2019 and taught by Master Ecole de Légèreté clinician Bertrand Ravoux. He is one of only six Master clinicians in the world (which includes Philippe Karl). What a treat to witness this training in person! Auditing space is limited, so I mailed my check in right away. Nothing will keep me from witnessing Ecole de Légèreté  first hand!

The lessons I didn’t expect

Excited to know of like-minded instructors near me, I trailered both of my naturally gaited horses to Schmitt Training Center to take some lessons with owners Rick and Carrie Schmitt. Before I had arrived, I gave Rick and Kari background on my naturally gaited horses: where we are in our dressage training, what we have been working on, and some of our challenges.

I came to my lessons equipped for Ecole de Légèreté and to work on lateral exercises with my naturally gaited foxtrotting horse Lady and maybe dabble with some counted walk and piaffe with my naturally gaited Tennessee walking horse Makana.

I never rode either horse. Instead we worked in hand!

Was I disappointed? If I am honest, yes, I was a little bit disappointed. With over 30 years studying dressage, I thought we would have had some saddle time. Sigh.

Come on Jennifer, dust off your pride and put on your big girl pants! Just how much do you think you can cover in a 45-minute lesson!

I realized that if I had  held on to a disappointed attitude, I would have missed the miracles I had just experienced. And miracles they were!

These lessons weren’t the lessons I had expected, but they were the lessons we needed most.

Meeting the horse where the horse is at

In each 45-minute lesson, Rick, a natural horsemanship trainer, focused on the challenges I mentioned, so each horse received the training they needed, and I receive the education I needed to help my horses where they’re at right now. Each lesson taught me how to more effectively communicate with each horse and meet their individual needs. This is something that I missed by learning on a school horse in Seattle and reading Philippe Karl’s books and watching his videos.

While I receive excellent information through lessons on a school horse and watching videos and reading books that I can apply with my horses, this information isn’t like the first-hand, one-on-one instruction I get in a lesson with my horse. This is a big difference. The former teaches me important concepts. The latter meets me and my horse where we are at.

For me, there is no better way to learn than by taking lessons with my own horse. I LOVE learning. One clinician referred to learning a new approach as adding another tool to your training tool box. In this case, I added two new tools leading to two miracles.

Miracle #1: The secret to establishing contact with a horse that pulls the reins away

My fifteen-year-old naturally gaited foxtrotting horse Lady loves to be ridden on a long floppy rein with no contact, but there is no two-way communication on a long floppy rein. Dressage requires that the horse accepts and follows an even, steady snaffle bit contact and that the rider maintains a steady, light, even connection with the horse through the reins. This also means that the rider remains relaxed in the shoulders, elbows, and hands to FOLLOW the natural head and neck motion of the horse—whether that be following the horse as I direct her to lower her head from a collected walk position to a free walk position or following the natural head and neck motion of the walk, flat walk, running walk, or fox trot.

The challenge I have had with Lady is that each time I take up a light even contact with a snaffle bit, Lady will yank the reins out of my hands after a  few strides. This has developed a herky-jerky bit connection: she’s light for a few steps, and then WONK, she grabs the bit and yanks the reins out of my hands. In anticipation of her doing this, I get tense in my shoulders, arms and hands which aggravates the situation. Lady doesn’t trust my hands so she pulls and I don’t trust that she will accept a light stead contact with the bit so she doesn’t.

So why does Lady yank the bit out of my hands? Maybe someone was rough with her mouth in her first seven years before my friend purchased her from the sale barn? Maybe she likes to be on the forehand and is resisting coming into balance? Or maybe I am not following enough with my hands and Lady doesn’t trust my connection?

Lateral exercises can help supple the naturally gaited horse.
Lateral exercises can help develop connection and supple the naturally gaited horse.

I have tried lateral exercises which get Lady light until I turn her into a straight line and then she’s back to yanking the bit out of my hands. I have tried lifting my hands higher to connect with the corners of her lips which are less sensitive, and I have vibrated the reins up whenever she leans on them. This helps her get light for a few steps and then WONK. Here we go again.

I have also tried all types of bits from hollow mouth to regular snaffles with one joint and two joints to curbs. Lady can be ridden on a floppy loose rein in a curb, but that’s not dressage. She needs to learn how to accept a light even contact with a snaffle bit. One person encouraged me to ride her in a twisted wire snaffle, but in my opinion, all a harsh bit does is teach the horse bit avoidance rather than bit acceptance.

Teaching Lady even steady contact to the ground in hand
Teaching Lady a light, even, steady, following contact with the snaffle bit to the ground while working in-hand makes it so much easier when in the saddle.

Rick showed another way—establishing contact while working in hand. He showed me how to maintain a light, even, steady, following contact with both reins AT ALL TIMES—no more herky-jerky, contact-on-contact-off connection with Lady. Teaching me and Lady how to have a light, even, steady, following contact from the ground will make it so much easier from the saddle.

After working Lady in-hand, it made it a lot easier to teach her a light, even, steady, following contact with the snaffle bit while in the saddle.

And Rick is right! The next day, I worked Lady in hand applying everything we learned the day before. Then I got on and we rode with light, even, steady, following contact. She followed the bit in a variety of lengths, and I followed her natural head and neck motion. There was no pulling at a walk. This light, even, steady, following bit connection is essential for a two-way conversation. It is a miracle!

Lady's foxtrot had moments of steady connection in balance.
Lady’s foxtrot had moments of light, even, steady, following contact in balance.

Miracle #2: The secret to redirecting an emotional, insecure and reactive mare to relaxation

My fifteen-year-old naturally gaited Tennessee walking horse Makana can be challenging to ride when there are lots of distractions. Whether it is a plastic bag blowing in the wind, birds darting in and out of the bushes, the amplified sound of an announcer, or being in an indoor arena.

Makana is reactive, emotional, spooky and insecure. She needs a trusted leader—only some days, I feel like I’m riding a keg of dynamite. When she is insecure and reactive, shying, spooking, spinning, and bolting, I become insecure and feel like I need to protect myself from falling off.  (My grandma body doesn’t bounce like it used to.)

The combination of our insecurity just encourages more insecurity—she doesn’t trust that I will keep her safe and I don’t trust that I will survive the ride without injury!

Our lesson made the perfect environment to address Makana’s anxiousness and reactivity. “You can’t teach a nervous horse to stand still,” Rick said. “Instead you can redirect her observant awareness of her environment by engaging her intelligence and directing her to relaxation.”

Working lateral exercises with the naturally gaited horse in hand
Working lateral exercises with the naturally gaited horse in-hand can help calm those that are reactive and environmentally aware.

Rick showed me ways to work with Makana by establishing a light contact with one rein that worked on the outside of her face by the bar of the fulmer snaffle bit. While holding a light touch of the rein and standing in place by her shoulder, I focused my mind on moving her hind foot a step under her body with a simple cluck and as soon as she did, I released her to relaxation.

Engaging the Mind
What was fascinating about this approach was that there was no urging her with my body language or using a whip to get her to step under. She was encouraged to figure it out with her mind and her ability to notice small details. Connecting to her with one rein, visualizing in my mind what I wanted her to do, I used a simple cluck to engage her while I stood still. As soon as she did what I visualized, I released her to relaxation so that she knew that’s what I wanted.

After the one hind leg stepping under, we changed the exercise to a front leg crossing over to a release to relaxation. Then both hind leg and fore leg crossing over a step to a release to relaxation, and finally a rein back to a release to relaxation. All of these exercises utilized the same a one rein connection, no prompting on my part to make her do the exercise, other than clucking and visualizing in my mind, and a release to relaxation as soon as Makana did what I thought.

These exercises utilized Makana’s sensitivity, intelligence and gift for noticing minute details. They rewarded her efforts with relaxation, and established two-way communication between us where she realized I can help her relax in reactive environments.

Within a few minutes through these in-hand exercises, I became the trusted leader Makana needs and I have purposed to become.

The instruction I received from Rick was insightful, timely, and meaningful. He ended my lesson with Makana in teaching her to side pass to the mounting block and stand still. He used the same one rein connection, visualizing, and clucking to engage method that he used with the other exercises. In less than three minutes, Makana knew exactly what Rick meant. My jaw dropped watching Makana side pass to the mounting block and stop. I was humbled to realize how intelligent Makana is, and I am encouraged with new tools to communicate with her to help her relax in distracting environments and develop the trusted partnership I’ve always wanted in every circumstance.

Makana lateral exercises in saddle
Working lateral exercises with the naturally gaited horse in the saddle was easier after the in-hand work.

The next day, Makana worked through the in-hand exercises and within minutes she was relaxed. Plus, mounting was a breeze! When I got in the saddle, I did the exact same exercises with a release to relaxation. She was much calmer and less reactive on the woodsy side of the outdoor arena.

naturally gaited flatwalk
Makana went on to produce a confident naturally gaited flatwalk without spooking.

So what do these two miracles have to do with Ecole de Légèreté training methodologies. As Rick said, “Natural horsemanship is kind of like preschool. It meets the horse where the horse is at.” For Makana, Rick taught me how to meet her need for safety and trust me to direct her there and for Lady, he taught me how to establish a two-way communication through a light, even, steady contact. Now each horse is in a better place to continue our Ecole de Légèreté (in gait).


For more information about auditing the Ecole de Légèreté (School of Lightness) clinic coming to Somerset, WI and taught by Master Ecole de Légèreté Clinician Bertrand Ravoux, visit www.legerete-usa.com.

Emotional Balance & its Effect on the Naturally Gaited Horse

emotional balanceBy Jennifer Klitzke

Emotional Balance

There are many ways where balance improves the quality of movement in the naturally gaited horse, such as leading the horse into a balanced posture and relaxation of the mind and body; developing a balanced riding position; and for me, maintaining emotional balance while riding.

I think back to the first few years with my dear, sweet trakehner/thoroughbred gelding Seili. I purchased him as a well broke, yet green five-year-old, and I was yet only two years into my dressage journey.

Adding to this, I thought riding would be a great way to release my stress. Wow, bad idea! It didn’t take me long to realize how sensitive Seili was; me being emotionally out of balance by taking my stress to the barn expecting my horse to make me feel better produced my worst rides ever!

Stress caused me to tense my body and riding position which translated tension and nervousness to my horse. When Seili was  nervous and tense, his movement became stiff and rushed.

When I wasn’t present with Seili, he didn’t have a trusted leader to guide him, so he took the leadership reins which caused reactionary fear in me. I felt out of control. Then the reactionary fear in me caused my nervous horse to further lack confidence that I could be trusted as a leader.

The harmonious dance that I had hoped for to relieve my stress was replaced with a two-way battle for preservation: I wanted to live through the ride where I felt out of control, and my horse was running away from me to find relaxation that I hadn’t provided.

I left the barn more stressed than when I arrived and I humbly realized that emotional balance is my responsibility, not my horse’s to resolve.

Seili at 29 barefoot and sound
Me riding Seili when he was 29: a lot happier duo with emotional balance!

It became clear how important it is to find emotional balance before I step foot into the barn and de-clutter my mind and heart. This way I can be present to lead my horse into a partnership of trust, harmony, balance, relaxation, rhythm, connection, engagement, straightness, and collection—all of which impact the expression and quality of movement whether the horse is naturally gaited or of the trotting variety.


If you are on this naturally gaited dressage journey, I’d love to hear from you. Please contact me, join the NaturallyGaited Facebook community, and subscribe to the NaturallyGaited YouTube channel.

What is Gaited Dressage?

what is gaited dressage

By Jennifer Klitzke

Gaited dressage doesn’t require trot, riding in an arena, an English saddle, or showing. You might be surprised what else gaited dressage doesn’t require and all the benefits you and your gaited horse can gain.

What is Gaited Dressage?

By Jennifer Klitzke

Gaited dressage doesn’t require trot. It doesn’t mean that you have to wear fancy clothes, buy an English saddle, fit your horse with shoes, and it doesn’t mean that you’re confined to riding in an arena. You might be glad to know gaited dressage doesn’t require that you show!

Best of all, you’ll be glad to know that gaited dressage is not abusive. It never uses harsh bits, heavy shoes, chains, pads, artificial enhancements, or mechanical devices to develop natural smooth gaits. No not ever!

As long as you are riding your smooth gaited horse in a well-fitting and balanced saddle and a comfortable and appropriate snaffle bit, gaited dressage embraces your English or western preference—whether you show or not.

What gaited dressage is

Gaited dressage is a humane way to train the smooth gaited horse and rider. Through ongoing lessons, the rider develops a balanced riding position and effective use and timing of rein, leg, seat and weight aids. These aids lead the horse into relaxation of mind and body, balance, rhythm, forward movement without rushing, connection, symmetry, and collection. This foundation helps the gaited horse develop strength and flexibility, full range of motion, quality smooth gaits, and a partnership of harmony and trust.

Gaited dressage is versatile

Gaited dressage is a consistent communication language between the rider and horse that can be taken wherever you and your horse go and whatever you do in or out of an arena, along the trail, while negotiating sneaky cows in the sorting ring, jumping a course of fences, and more.

naturallygaited-working-with-cows

You can even show gaited dressage

There are many schooling shows, breed shows and even virtual open shows that offer gaited dressage. Showing gaited dressage is a great way to receive written feedback from a trained dressage professional about your horse’s training as it relates to rhythm, relaxation, connection, engagement, straightness, and collection, as well as feedback about your riding position and use and timing of your rein, leg, seat and rein aids.

Gaited dressage with a Tennessee walking horse

Gaited dressage teaches the rider how to train the horse

Gaited dressage educates the rider to educate the horse. The rider lears how to lead the horse into relaxation, balance, rhythm, connection, engagement, straightness, collection, and harmony. Over time, these training elements develop full range of motion and quality smooth gaits.

Six ways dressage teaches a rider how to train their gaited horse

1) Rider position and application of aids. The rider develops a balanced riding position over the horse’s center of gravity. In addition, the rider learns the effective use and timing of hand, leg, seat, and weight aids. These aids lead the horse into relaxation of mind and body, even rhythm and tempo, forward movement without rushing, connection with the horse, symmetry, flexibility and strength, and balance, engagement, and collection.

2) Accept and follow contact. Gaited dressage teaches the rider how to teach the horse how to accept and follow a light snaffle bit contact. It also teaches the rider how to follow the horse’s natural head and neck movement with relaxed shoulders, arms, and hands.

3) Feel awareness involves noticing how the rider’s body, breathing, and thoughts impact the horse. Noticing and releasing tension in the rider’s shoulders, arms, hands, hips, back, and jaw, breathing deep into the belly, following the natural head and neck motion of the horse with the hands and following the belly sway of the horse with relaxed hip joints to encourage relaxation in the horse. Becoming aware of the timing of aids and the feeling of when the horse is in the moment for the cue.

4) Feeling of right means knowing what is feels like when the horse is relaxed in its mind and body; balance on all four legs; moving with steady rhythm and even strides; moving forward without rushing; having symmetry (meaning evenly flexible in both directions); and developing engagement from the hindquarters, abdominal muscles and chest to lower the hindquarters, lift the back and wither head and neck over time.

This also means learning to notice when the horse is on the forehand, tense in the lower jaw, hollow in the back, disengaged with its hind legs, crooked, stiff, and rushing.

When a rider has developed this feel awareness, they can restore the horse to the feeling of right through effective use and timing of leg, seat, weight, and rein aids.

Gaited dressage: The feeling of right

5) Consistency training helps the rider develop a consistent communication language with the horse through the use and timing of leg, rein, seat, and weight aids. This consistent communication leads the gaited horse into more and more moments of relaxation, balance, rhythm, connection, forward movement without rushing, and symmetry. Developing the feeling of right helps you notice when corrections are needed to bring the horse back to the feeling of right. And the proper timing of rewarding the horse early and often.

6) Becoming a trusted leader with the gaited horse through an ongoing, two-way dialogue. It requires the rider to declutter their mind and heart and be present with the horse, listening to and seeking to understand what the horse is saying, and learning to effectively communicate with the horse and lead them into the feeling of right. Then listening to the response of the horse for adjustments as needed.

Gaited dressage is more than a training system

Gaited dressage is an on-going journey of a relationship between the rider and horse over time. This takes time to develop. Yet nothing is more deeply rewarding when the communication, connection, and harmony between a rider and a smooth gaited horse lead to the horse feeling safe enough to accept the rider as a trusted leader.

A Trusted Leader

How gaited dressage benefits the rider

  • Improves the rider’s balance and effective riding position
  • Improves the rider’s communication with their smooth gaited horse through the effective use and timing of leg, seat, weight, and rein aids which helps the horse develop greater trust, relaxation and harmony with the rider
  • Developing the smooth gaits are easier on a rider’s body
  • Aging dressage riders who have invested years of time and money taking dressage lessons on trotting horses can apply their knowledge and skill with a gaited horse and enjoy a smooth ride that is easier on the body
  • Gaited dressage can be taken on the trail where the rider can cover a lot of ground quickly and the rider’s body won’t pay for it later!

How gaited dressage benefits the gaited horse

  • By relaxing the naturally gaited horse’s mind, the horse is more teachable
  • By relaxing the horse’s jaw and back, pace can be replaced with smoother natural four-beat gait
  • Gaited dressage can break cross canter, a later canter, and a four-beat canter into a true, three-beat canter
  • Through the effective use and timing of rein, seat, leg and weight aids the naturally gaited horse can be led into relaxation, balance, rhythm, connection, engagement, straightness, collection, and harmony to improve the horse’s full range of motion and quality of natural gaits on cue
  • With lateral exercises like the shoulder-in the horse can find balance, activate the abdominal muscles to lift the back, engage the hind and develop a deeper stride beneath the body which will lengthen the stride overall from hind foot to hind foot
  • By connecting the energy from the horse’s hindquarters through the horse’s body to the bit while riding with a light and even contact on both reins following the head and neck motion, the naturally gaited horse can develop a consistent head nod in the flat walk, running walk, and fox trot

Most of all, smooth gaited horses flourish when ridden using dressage methods that build trust, relaxation, and respect.

Enjoy the journey!

If you are on this gaited dressage journey, I’d love to hear from you. Please contact me, join the NaturallyGaited Facebook community, and subscribe to the NaturallyGaited YouTube channel.

Gaited Dressage for the Trail Horse

Gaited Dressage for the Trail Horse

by Jennifer Klitzke

Have you longed to learn dressage with your gaited horse, yet have a trail horse that detests arena work? That’s me and Lady.

Gaited Dressage for the Trail Horse

Not all horses are wired the same. That includes my naturally gaited fox trotting horse Lady. I began riding her in the arena, because that’s how I’ve introduced all of the horses I’ve ridden to dressage over the years.

Lady is a marvelous trail horse, and I quickly discovered that she didn’t understand the purpose of riding in an arena without a change of scenery!

Gaited dressage on the trailInstead of fighting with her, I brought Lady to her happy place—the trail. And that’s where we work on our gaited dressage. We use natural obstacles to maneuver around such as trees and the fire pit. Then we leg yield from one side of the path to the other, followed by a soft halt, and a gentle and slow rein back, to a slow balanced walk, and then transition to her easy gait before transitioning back to a free walk on a long rein.

Gaited dressage on the trail helped our training in 5 ways:

1) Passenger to Participant

Instead of being a passenger and let Lady follow the trail, I became an active participant in our relationship through the exercises and transitions,

2) Tuning Me Out to Listening

By being present with Lady and guiding our travels, it gave gave her a reason to stay dialed in to me instead of just following the trail.

3) Tension to Harmony

During our ride on the trail Lady lost the tension she had in the arena and we developed more harmony.

4) Fight and Flight to Trust

Working together on our journey through the woods helped Lady and I develop a partnership of trust. Lady began to listen to me for the next cue, release and reward. This helped establish me as the trusted leader of our relationship where Lady looked to me over her fight or flight defenses.

Gaited dressage on the trail5) Developing the Basics of Gaited Dressage

While on the trail, we began to ride the elements of a low level gaited dressage test by establishing relaxation, rhythm, balance, connection, and forwardness, as well as developing harmony and softness. While I worked on applying effective aids and reinforcing a balanced riding position.

Lady seemed happy working gaited dressage on the trail.  Come to think of it, so did I.

Dressage on the trail has become a new kind of training for me—training without walls in the beauty of nature which feeds my soul while freeing me of the rigidity and perfectionism that often plague me in the arena.

Let me know your thoughts if you’ve given dressage on the trail a try.

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Beginning Lessons in Légèreté: Following Hands

Following the motion of the head shaking horse

Dressage requires riding with light, even, steady contact—not floppy, loose reins. Contact is easier when the horse’s head and neck remain stationary, but how do you maintain contact when the horse’s head and neck nod with each step?

Here’s my story.

Following the Natural Head and Neck Motion

I’ve been a passionate student of dressage since 1988, predominantly of the German school, riding bouncy trotting horses. They kept me in shape, I’ll give you that!

Then in 2007, my aging body longed for smooth, and that’s when I acquired my first naturally gaited horse: a just turning three-year-old Tennessee walking horse filly named Makana. Dressage is the only form of riding I knew, so that’s the form of training I applied. We began with the German dressage I learned.

Then through clinics with Larry Whitesell and Susan Norman, I became acquainted with the books and videos of classical French dressage Master Philippe Karl. Around 2014 I began to gradually adopt a new way to ride.

Philippe-Karl-Legerete-DVDs-video-camera
My DVD collection of Classical French Dressage Master Philippe Karl.

In 2016, I set out to Seattle, WA, to visit family and learned that Karl had been teaching School of Légèreté instructor certification clinics at three USA locations—one of which was not far from where I would be staying. I contacted the Seattle location for lessons with Nichole, one of Karl’s instructors in training.

I took several lessons each day with Nichole on her non-gaited horses. First, I learned work in hand. Here’s a recap of my lessons: Work in Hand: Educating the Mouth.

Then Nichole taught me how to apply the same exercises from the saddle while riding at a slow walk. She noticed that I wasn’t following the horse’s natural head and neck motion with my hands. Instead, I was keeping my arms still at my sides. She encouraged me to follow the horse’s natural head and neck motion with my hands while maintaining an even, steady contact with both reins connected to a snaffle bit.

Nicole noticed that while my arms were quiet at my sides, my pelvis and back followed the motion of the horse more than necessary. My efforts to remain still with my arms and hands created tension which translated heaviness to the horse.

Interesting.

While some following motion with my body is needed, Nichole encouraged me to also follow the horse’s natural head and neck motion with relaxed shoulders, arms and hands while maintaining a light, even, steady contact with both reins to the snaffle bit.

This was an epiphany for me!

Granted, I was riding a non gaited horse, but I was riding the horse at a natural four-beat walk. This got me thinking about the smooth four-beat gaits of the naturally gaited head nodding breeds.

I wondered, what compromises have tension to create stillness had on the quality of the naturally smooth flat walk, running walk, and fox trot in my naturally gaited horses?

  • Could the tension in my shoulders and still arms and hands be saying “stop” to my naturally gaited horse, Makana?
  • Would following hands produce less prodding on my part to encourage Makana to go forward?
  • Would following hands produce less tension and more relaxation, harmony and lightness in my naturally gaited fox trotting horse, Lady?
  • Would Lady be more apt to seek contact with a snaffle bit if I followed her head nod?
  • Would Lady’s back be less hollow if I rode her with following hands?
  • Would Lady be less heavy on the bit?
  • Would Lady learn to relax more rather than take off at a quick gait?
  • Would Lady track up more with deeper strides if there was greater relaxation in her back?

Think about it. Are we creating braces in our horses through our tension to ride still? How many of us struggle with a camel walk, hard pace, step pace, and a lateral canter? Wouldn’t our horses be smoother to ride if they felt more comfortable and relaxed if we followed their natural head and neck motion?

Nichole taught me the importance of following the natural head and neck motion of the horse’s four-beat walk with relaxed shoulders, arms and hands. This fostered relaxation, harmony and lightness with each horse I worked with.

If following the natural head and neck motion of non-gaited horses at a walk produces relaxation, wouldn’t this translate to the naturally gaited head-nodding breeds that move in flat walk, fox trot, and running walk?

I just wonder if following the horse’s natural head and neck motion—the head nod, head shake or what ever we want to call it—might lead our naturally gaited horses to greater relaxation, harmony, and lightness, and produce less bracing in the jaw and back and produce more naturally smooth gaits?

True or False

When the horse’s tongue, jaw and poll are stiff and tense, it will lead to tension in the back which will cause more pace in horses prone to pace when tense.

True.

Wouldn’t the opposite be true? If we follow the natural head and neck motion of the horse with relaxed shoulders, elbows hands, seat and back, our naturally gaited horses will be more apt at relaxing their backs which helps to break up pace caused by tension. Right?

Granted, it is a lot easier to ride a naturally gaited head nodding horse with floppy reins, but if dressage is your passion, like it is mine, then we need to figure out a way to establish a light, steady contact with both reins that produces relaxation, harmony and lightness. I believe following the naturally head and neck motion of the naturally gaited horse is the way to do it.

Watch: Why follow the natural head and neck motion with relaxed arms

Special thanks to Nichole Walters, the owner and instructor of Cadbury Farm who taught me the “Educating the Mouth” and “Following Hands” exercises that she learned first hand from Philippe Karl and his School of Légèreté.


I hope this is helpful. Let me know your thoughts by sending a message.

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