Classical French Dressage Master Philippe Karl offers unique insights to break up pacey walks in trotting horses. If this is true, this can also remedy pacey naturally gaited horses.
Pace and the Naturally Gaited Horse
By Jennifer Klitzke
Recently I came across a Facebook post from Becky Holden, an accomplished dressage rider/trainer/instructor/clinician, licensed School of Légèreté teacher, and long-time student of Classical French Dressage Master Philippe Karl (PK), founder of the School of Légèreté.
In Becky’s last clinic lessons with PK, she rode a younger trotting horse that had a tendency to pace at the walk.
Yes, even trotting horses can struggle with a pacey walk often called a camel walk.
What I found interesting was PK’s insights as he taught Becky how to help her horse break up the pace to a natural four beat walk. I believe PK’s insights translate directly to naturally gaited horses that struggle with pace.
PK explained that horses with a pacey walk are lazy with their hind legs and/or are too quick with their front leg steps.
To remedy the pace, PK’s suggestions to Becky are that, “We need to stimulate activity from the hind legs with shoulder-in on the circle and slow down and give amplitude to the front legs with neck rein turns or counter shoulder-in on the circle.”
Neck rein turns are a great way to lighten a horse that is heavy on the shoulders. By neck rein, the rider draws both hands to the outside of the bend with equal light contact and a nudge sideways if needed.
Counter bend with neck rein moves balance from the outside shoulder to the inside shoulder.
In addition to a counter bend neck rein on a circle, you can do a counter bend figure eight or counter bend serpentine by changing the counter bend and neck rein for each circle or serpentine loop. For a serpentine, slightly bend the horse to the outside of a serpentine and neck rein (counter bend) the opposite direction of the bend. Then straighten the horse a few steps and bend the other direction and neck rein (counter bend) the opposite direction of the bend and straighten a few steps until the serpentine is complete.
After a couple figure eights or a serpentine, liven the horse in a forward gait along the straight side and repeat the figure eight or serpentine counter bend neck rein exercise. Theses exercises can be first taught to the horse at a walk and then at a trot or gait.
Don’t practice pace—practice quality gait
Instead of practicing a poor quality gait, such as a pacey walk, PK encourages riders to apply plenty of transitions between gaits and exercises using the rein back; figure eight at a walk (one circle shoulder-in and the other circle counter shoulder-in).
Then the rider can proceed in a straight line while maintaining a quality slow, yet forward walk in rhythm; and trot [gait] shoulder-in on the circle, transition to walk shoulder-in on a circle, and transition back to trot [gait] shoulder-in on a circle.
Lady is being ridden in a Dr. Cook bitless bridle showing rein back on a loose rein. The rein back engages the hindquarters and lifts the back and wither.
I find PK’s insights regarding pace interesting. Often our remedy to pace in the naturally gaited horse world focuses on relaxing the back through lots of long and low. Many times the long and low gets too low where the poll falls below the whither and the naturally gaited horse develops a habit of traveling on the forehand. When the horse is on the forehand it trips more often and this can be dangerous for the rider.
Long and low can relax the back and break up pace, but it can also cause the horse to disengage the hind legs and fall on the forehand.
By controlling the timing of the foot falls using transitions and lateral exercises, PK’s approach improves balance on all four legs, relaxation, and quality of natural gaits.
Shoulder in on a circle helps Lady engage from behind to step under her belly, lift her back and whither by activating her abdominal and chest muscles, improving balance, and relaxing her jaw, tasting the bit, getting softer on the bridle, and accepting a light, stead, even contact with both reins.
In fact, PK doesn’t support long and low (when the horse’s poll is below the height of the wither) because it trains the horse to travel on the forehand, slouching its pectoral muscles, and travel out of balance. Instead he teaches neck extension (head, neck and nose out and down yet no lower than poll to wither height) in a forward walk, trot or canter.
The neck extension provides the same great benefits as long and low, yet maintains the horse’s balance, plus relaxation, strengthening the top line muscles, stretching the spine, and improving engagement.
This is a great example of a neck extension at a flat walk. My naturally gaited Tennessee walking horse is engaged, lifting her back, stretching out, forward, and down at chest level with an even snaffle bit contact.My naturally gaited fox trotting horse Lady showing a quality trot on cue.
For more about Philippe Karl and the School of Légèreté, visit philipp-karl.com.
The Lesson I didn’t Expect was the Lesson I needed Most
How many of you have trailered in for a lesson or clinic with expectations, only to be caught by surprise? What was your reaction? I’ll tell you about mine…
Ecole de Légèreté (School of Lightness) is for ALL horses
If you have been following Naturally Gaited the last few years, you know how much I respect the teachings of Classical French Dressage Master Philippe Karl and his training philosophy and methodology called the Ecole de Légèreté (School of Lightness).
In the last few years, Ecole de Légèreté clinics have come to the United States to host teacher certification training. This is a long process and for the dedicated few, they become certified Ecole de Légèreté instructors. I am thrilled that the United States is hosting more and more Ecole de Légèreté teacher certification clinics and even more excited that the United States has teachers in training with a handful of certified Ecole de Légèreté instructors.
What I love so much about Ecole de Légèreté, is that it is training “for” the horse. It meets the horse’s needs, not by the demands of the rider. It isn’t a “make” the horse do, it is an “ask” the horse to do philosophy that builds partnership, harmony, and trust between horse and rider. Ecole de Légèreté teaches the rider a balanced riding position and effective use and timing of rein, leg, seat and weight aids to bring the horse into balance, relaxation, rhythm, connection, engagement, straightness and collection over time.
Best of all, Philippe Karl believes that if the training is good, it will work with all horses, not just the talented ones. This includes the upper level movements such as piaffe, passage, and Spanish walk.
And if Ecole de Légèreté benefits all horses, I will add, including naturally gaited horses.
In 2016, while on vacation in Seattle, WA, I learned of Nichole Walters, an Ecole de Légèreté instructor in training. I took a few lessons on her school horse while I was in Seattle, and she got me started on my path.
I spent the first two lessons just working in hand—not exactly what I had in mind.
Was I disappointed? If I am honest, yes. However, these lessons were foundational and exactly what I needed to learn BEFORE I applied these concepts in the saddle, such as following the horse’s head and neck with a light, equal connection to the horse’s mouth. Learning these in-hand exercises made it so much easier for both me and the horse when I began riding.
Ecole de Légèreté is coming to the Midwest
Since 2016, I have been applying what Nichole taught me with her school horses at home with my naturally gaited horses. I have longed to audit and/or ride at an Ecole de Légèreté clinic, but they have been so far away until now.
Ecole de Légèreté is coming to Schmitt Training Center in Somerset, Wisconsin October 2019 and taught by Master Ecole de Légèreté clinician Bertrand Ravoux. He is one of only six Master clinicians in the world (which includes Philippe Karl). What a treat to witness this training in person! Auditing space is limited, so I mailed my check in right away. Nothing will keep me from witnessing Ecole de Légèreté first hand!
The lessons I didn’t expect
Excited to know of like-minded instructors near me, I trailered both of my naturally gaited horses to Schmitt Training Center to take some lessons with owners Rick and Carrie Schmitt. Before I had arrived, I gave Rick and Kari background on my naturally gaited horses: where we are in our dressage training, what we have been working on, and some of our challenges.
I came to my lessons equipped for Ecole de Légèreté and to work on lateral exercises with my naturally gaited foxtrotting horse Lady and maybe dabble with some counted walk and piaffe with my naturally gaited Tennessee walking horse Makana.
I never rode either horse. Instead we worked in hand!
Was I disappointed? If I am honest, yes, I was a little bit disappointed. With over 30 years studying dressage, I thought we would have had some saddle time. Sigh.
Come on Jennifer, dust off your pride and put on your big girl pants! Just how much do you think you can cover in a 45-minute lesson!
I realized that if I had held on to a disappointed attitude, I would have missed the miracles I had just experienced. And miracles they were!
These lessons weren’t the lessons I had expected, but they were the lessons we needed most.
Meeting the horse where the horse is at
In each 45-minute lesson, Rick, a natural horsemanship trainer, focused on the challenges I mentioned, so each horse received the training they needed, and I receive the education I needed to help my horses where they’re at right now. Each lesson taught me how to more effectively communicate with each horse and meet their individual needs. This is something that I missed by learning on a school horse in Seattle and reading Philippe Karl’s books and watching his videos.
While I receive excellent information through lessons on a school horse and watching videos and reading books that I can apply with my horses, this information isn’t like the first-hand, one-on-one instruction I get in a lesson with my horse. This is a big difference. The former teaches me important concepts. The latter meets me and my horse where we are at.
For me, there is no better way to learn than by taking lessons with my own horse. I LOVE learning. One clinician referred to learning a new approach as adding another tool to your training tool box. In this case, I added two new tools leading to two miracles.
Miracle #1: The secret to establishing contact with a horse that pulls the reins away
My fifteen-year-old naturally gaited foxtrotting horse Lady loves to be ridden on a long floppy rein with no contact, but there is no two-way communication on a long floppy rein. Dressage requires that the horse accepts and follows an even, steady snaffle bit contact and that the rider maintains a steady, light, even connection with the horse through the reins. This also means that the rider remains relaxed in the shoulders, elbows, and hands to FOLLOW the natural head and neck motion of the horse—whether that be following the horse as I direct her to lower her head from a collected walk position to a free walk position or following the natural head and neck motion of the walk, flat walk, running walk, or fox trot.
The challenge I have had with Lady is that each time I take up a light even contact with a snaffle bit, Lady will yank the reins out of my hands after a few strides. This has developed a herky-jerky bit connection: she’s light for a few steps, and then WONK, she grabs the bit and yanks the reins out of my hands. In anticipation of her doing this, I get tense in my shoulders, arms and hands which aggravates the situation. Lady doesn’t trust my hands so she pulls and I don’t trust that she will accept a light stead contact with the bit so she doesn’t.
So why does Lady yank the bit out of my hands? Maybe someone was rough with her mouth in her first seven years before my friend purchased her from the sale barn? Maybe she likes to be on the forehand and is resisting coming into balance? Or maybe I am not following enough with my hands and Lady doesn’t trust my connection?
Lateral exercises can help develop connection and supple the naturally gaited horse.
I have tried lateral exercises which get Lady light until I turn her into a straight line and then she’s back to yanking the bit out of my hands. I have tried lifting my hands higher to connect with the corners of her lips which are less sensitive, and I have vibrated the reins up whenever she leans on them. This helps her get light for a few steps and then WONK. Here we go again.
I have also tried all types of bits from hollow mouth to regular snaffles with one joint and two joints to curbs. Lady can be ridden on a floppy loose rein in a curb, but that’s not dressage. She needs to learn how to accept a light even contact with a snaffle bit. One person encouraged me to ride her in a twisted wire snaffle, but in my opinion, all a harsh bit does is teach the horse bit avoidance rather than bit acceptance.
Teaching Lady a light, even, steady, following contact with the snaffle bit to the ground while working in-hand makes it so much easier when in the saddle.
Rick showed another way—establishing contact while working in hand. He showed me how to maintain a light, even, steady, following contact with both reins AT ALL TIMES—no more herky-jerky, contact-on-contact-off connection with Lady. Teaching me and Lady how to have a light, even, steady, following contact from the ground will make it so much easier from the saddle.
After working Lady in-hand, it made it a lot easier to teach her a light, even, steady, following contact with the snaffle bit while in the saddle.
And Rick is right! The next day, I worked Lady in hand applying everything we learned the day before. Then I got on and we rode with light, even, steady, following contact. She followed the bit in a variety of lengths, and I followed her natural head and neck motion. There was no pulling at a walk. This light, even, steady, following bit connection is essential for a two-way conversation. It is a miracle!
Lady’s foxtrot had moments of light, even, steady, following contact in balance.
Miracle #2: The secret to redirecting an emotional, insecure and reactive mare to relaxation
My fifteen-year-old naturally gaited Tennessee walking horse Makana can be challenging to ride when there are lots of distractions. Whether it is a plastic bag blowing in the wind, birds darting in and out of the bushes, the amplified sound of an announcer, or being in an indoor arena.
Makana is reactive, emotional, spooky and insecure. She needs a trusted leader—only some days, I feel like I’m riding a keg of dynamite. When she is insecure and reactive, shying, spooking, spinning, and bolting, I become insecure and feel like I need to protect myself from falling off. (My grandma body doesn’t bounce like it used to.)
The combination of our insecurity just encourages more insecurity—she doesn’t trust that I will keep her safe and I don’t trust that I will survive the ride without injury!
Our lesson made the perfect environment to address Makana’s anxiousness and reactivity. “You can’t teach a nervous horse to stand still,” Rick said. “Instead you can redirect her observant awareness of her environment by engaging her intelligence and directing her to relaxation.”
Working lateral exercises with the naturally gaited horse in-hand can help calm those that are reactive and environmentally aware.
Rick showed me ways to work with Makana by establishing a light contact with one rein that worked on the outside of her face by the bar of the fulmer snaffle bit. While holding a light touch of the rein and standing in place by her shoulder, I focused my mind on moving her hind foot a step under her body with a simple cluck and as soon as she did, I released her to relaxation.
Engaging the Mind What was fascinating about this approach was that there was no urging her with my body language or using a whip to get her to step under. She was encouraged to figure it out with her mind and her ability to notice small details. Connecting to her with one rein, visualizing in my mind what I wanted her to do, I used a simple cluck to engage her while I stood still. As soon as she did what I visualized, I released her to relaxation so that she knew that’s what I wanted.
After the one hind leg stepping under, we changed the exercise to a front leg crossing over to a release to relaxation. Then both hind leg and fore leg crossing over a step to a release to relaxation, and finally a rein back to a release to relaxation. All of these exercises utilized the same a one rein connection, no prompting on my part to make her do the exercise, other than clucking and visualizing in my mind, and a release to relaxation as soon as Makana did what I thought.
These exercises utilized Makana’s sensitivity, intelligence and gift for noticing minute details. They rewarded her efforts with relaxation, and established two-way communication between us where she realized I can help her relax in reactive environments.
Within a few minutes through these in-hand exercises, I became the trusted leader Makana needs and I have purposed to become.
The instruction I received from Rick was insightful, timely, and meaningful. He ended my lesson with Makana in teaching her to side pass to the mounting block and stand still. He used the same one rein connection, visualizing, and clucking to engage method that he used with the other exercises. In less than three minutes, Makana knew exactly what Rick meant. My jaw dropped watching Makana side pass to the mounting block and stop. I was humbled to realize how intelligent Makana is, and I am encouraged with new tools to communicate with her to help her relax in distracting environments and develop the trusted partnership I’ve always wanted in every circumstance.
Working lateral exercises with the naturally gaited horse in the saddle was easier after the in-hand work.
The next day, Makana worked through the in-hand exercises and within minutes she was relaxed. Plus, mounting was a breeze! When I got in the saddle, I did the exact same exercises with a release to relaxation. She was much calmer and less reactive on the woodsy side of the outdoor arena.
Makana went on to produce a confident naturally gaited flatwalk without spooking.
So what do these two miracles have to do with Ecole de Légèreté training methodologies. As Rick said, “Natural horsemanship is kind of like preschool. It meets the horse where the horse is at.” For Makana, Rick taught me how to meet her need for safety and trust me to direct her there and for Lady, he taught me how to establish a two-way communication through a light, even, steady contact. Now each horse is in a better place to continue our Ecole de Légèreté (in gait).
For more information about auditing the Ecole de Légèreté (School of Lightness) clinic coming to Somerset, WI and taught by Master Ecole de Légèreté Clinician Bertrand Ravoux, visit www.legerete-usa.com.
There are many ways where balance improves the quality of movement in the naturally gaited horse, such as leading the horse into a balanced posture and relaxation of the mind and body; developing a balanced riding position; and for me, maintaining emotional balance while riding.
I think back to the first few years with my dear, sweet trakehner/thoroughbred gelding Seili. I purchased him as a well broke, yet green five-year-old, and I was yet only two years into my dressage journey.
Adding to this, I thought riding would be a great way to release my stress. Wow, bad idea! It didn’t take me long to realize how sensitive Seili was; me being emotionally out of balance by taking my stress to the barn expecting my horse to make me feel better produced my worst rides ever!
Stress caused me to tense my body and riding position which translated tension and nervousness to my horse. When Seili was nervous and tense, his movement became stiff and rushed.
When I wasn’t present with Seili, he didn’t have a trusted leader to guide him, so he took the leadership reins which caused reactionary fear in me. I felt out of control. Then the reactionary fear in me caused my nervous horse to further lack confidence that I could be trusted as a leader.
The harmonious dance that I had hoped for to relieve my stress was replaced with a two-way battle for preservation: I wanted to live through the ride where I felt out of control, and my horse was running away from me to find relaxation that I hadn’t provided.
I left the barn more stressed than when I arrived and I humbly realized that emotional balance is my responsibility, not my horse’s to resolve.
Me riding Seili when he was 29: a lot happier duo with emotional balance!
It became clear how important it is to find emotional balance before I step foot into the barn and de-clutter my mind and heart. This way I can be present to lead my horse into a partnership of trust, harmony, balance, relaxation, rhythm, connection, engagement, straightness, and collection—all of which impact the expression and quality of movement whether the horse is naturally gaited or of the trotting variety.
Gaited dressage doesn’t require trot, riding in an arena, an English saddle, or showing. You might be surprised what else gaited dressage doesn’t require and all the benefits you and your gaited horse can gain.
What is Gaited Dressage?
By Jennifer Klitzke
Gaited dressage doesn’t require trot. It doesn’t mean that you have to wear fancy clothes, buy an English saddle, fit your horse with shoes, and it doesn’t mean that you’re confined to riding in an arena. You might be glad to know gaited dressage doesn’t require that you show!
Best of all, you’ll be glad to know that gaited dressage is not abusive. It never uses harsh bits, heavy shoes, chains, pads, artificial enhancements, or mechanical devices to develop natural smooth gaits. No not ever!
As long as you are riding your smooth gaited horse in a well-fitting and balanced saddle and a comfortable and appropriate snaffle bit, gaited dressage embraces your English or western preference—whether you show or not.
What gaited dressage is
Gaited dressage is a humane way to train the smooth gaited horse and rider. Through ongoing lessons, the rider develops a balanced riding position and effective use and timing of rein, leg, seat and weight aids. These aids lead the horse into relaxation of mind and body, balance, rhythm, forward movement without rushing, connection, symmetry, and collection. This foundation helps the gaited horse develop strength and flexibility, full range of motion, quality smooth gaits, and a partnership of harmony and trust.
Gaited dressage is versatile
Gaited dressage is a consistent communication language between the rider and horse that can be taken wherever you and your horse go and whatever you do in or out of an arena, along the trail, while negotiating sneaky cows in the sorting ring, jumping a course of fences, and more.
You can even show gaited dressage
There are many schooling shows, breed shows and even virtual open shows that offer gaited dressage. Showing gaited dressage is a great way to receive written feedback from a trained dressage professional about your horse’s training as it relates to rhythm, relaxation, connection, engagement, straightness, and collection, as well as feedback about your riding position and use and timing of your rein, leg, seat and rein aids.
Gaited dressage teaches the rider how to train the horse
Gaited dressage educates the rider to educate the horse. The rider lears how to lead the horse into relaxation, balance, rhythm, connection, engagement, straightness, collection, and harmony. Over time, these training elements develop full range of motion and quality smooth gaits.
Six ways dressage teaches a rider how to train their gaited horse
1) Rider position and application of aids. The rider develops a balanced riding position over the horse’s center of gravity. In addition, the rider learns the effective use and timing of hand, leg, seat, and weight aids. These aids lead the horse into relaxation of mind and body, even rhythm and tempo, forward movement without rushing, connection with the horse, symmetry, flexibility and strength, and balance, engagement, and collection.
2) Accept and follow contact. Gaited dressage teaches the rider how to teach the horse how to accept and follow a light snaffle bit contact. It also teaches the rider how to follow the horse’s natural head and neck movement with relaxed shoulders, arms, and hands.
3) Feel awareness involves noticing how the rider’s body, breathing, and thoughts impact the horse. Noticing and releasing tension in the rider’s shoulders, arms, hands, hips, back, and jaw, breathing deep into the belly, following the natural head and neck motion of the horse with the hands and following the belly sway of the horse with relaxed hip joints to encourage relaxation in the horse. Becoming aware of the timing of aids and the feeling of when the horse is in the moment for the cue.
4) Feeling of rightmeans knowing what is feels like when the horse is relaxed in its mind and body; balance on all four legs; moving with steady rhythm and even strides; moving forward without rushing; having symmetry (meaning evenly flexible in both directions); and developing engagement from the hindquarters, abdominal muscles and chest to lower the hindquarters, lift the back and wither head and neck over time.
This also means learning to notice when the horse is on the forehand, tense in the lower jaw, hollow in the back, disengaged with its hind legs, crooked, stiff, and rushing.
When a rider has developed this feel awareness, they can restore the horse to the feeling of right through effective use and timing of leg, seat, weight, and rein aids.
5) Consistency training helps the rider develop a consistent communication language with the horse through the use and timing of leg, rein, seat, and weight aids. This consistent communication leads the gaited horse into more and more moments of relaxation, balance, rhythm, connection, forward movement without rushing, and symmetry. Developing the feeling of right helps you notice when corrections are needed to bring the horse back to the feeling of right. And the proper timing of rewarding the horse early and often.
6) Becoming a trusted leader with the gaited horse through an ongoing, two-way dialogue. It requires the rider to declutter their mind and heart and be present with the horse, listening to and seeking to understand what the horse is saying, and learning to effectively communicate with the horse and lead them into the feeling of right. Then listening to the response of the horse for adjustments as needed.
Gaited dressage is more than a training system
Gaited dressage is an on-going journey of a relationship between the rider and horse over time. This takes time to develop. Yet nothing is more deeply rewarding when the communication, connection, and harmony between a rider and a smooth gaited horse lead to the horse feeling safe enough to accept the rider as a trusted leader.
How gaited dressage benefits the rider
Improves the rider’s balance and effective riding position
Improves the rider’s communication with their smooth gaited horse through the effective use and timing of leg, seat, weight, and rein aids which helps the horse develop greater trust, relaxation and harmony with the rider
Developing the smooth gaits are easier on a rider’s body
Aging dressage riders who have invested years of time and money taking dressage lessons on trotting horses can apply their knowledge and skill with a gaited horse and enjoy a smooth ride that is easier on the body
Gaited dressage can be taken on the trail where the rider can cover a lot of ground quickly and the rider’s body won’t pay for it later!
How gaited dressage benefits the gaited horse
By relaxing the naturally gaited horse’s mind, the horse is more teachable
By relaxing the horse’s jaw and back, pace can be replaced with smoother natural four-beat gait
Gaited dressage can break cross canter, a later canter, and a four-beat canter into a true, three-beat canter
Through the effective use and timing of rein, seat, leg and weight aids the naturally gaited horse can be led into relaxation, balance, rhythm, connection, engagement, straightness, collection, and harmony to improve the horse’s full range of motion and quality of natural gaits on cue
With lateral exercises like the shoulder-in the horse can find balance, activate the abdominal muscles to lift the back, engage the hind and develop a deeper stride beneath the body which will lengthen the stride overall from hind foot to hind foot
By connecting the energy from the horse’s hindquarters through the horse’s body to the bit while riding with a light and even contact on both reins following the head and neck motion, the naturally gaited horse can develop a consistent head nod in the flat walk, running walk, and fox trot
Most of all, smooth gaited horses flourish when ridden using dressage methods that build trust, relaxation, and respect.
Have you longed to learn dressage with your gaited horse, yet have a trail horse that detests arena work? That’s me and Lady.
Gaited Dressage for the Trail Horse
Not all horses are wired the same. That includes my naturally gaited fox trotting horse Lady. I began riding her in the arena, because that’s how I’ve introduced all of the horses I’ve ridden to dressage over the years.
Lady is a marvelous trail horse, and I quickly discovered that she didn’t understand the purpose of riding in an arena without a change of scenery!
Instead of fighting with her, I brought Lady to her happy place—the trail. And that’s where we work on our gaited dressage. We use natural obstacles to maneuver around such as trees and the fire pit. Then we leg yield from one side of the path to the other, followed by a soft halt, and a gentle and slow rein back, to a slow balanced walk, and then transition to her easy gait before transitioning back to a free walk on a long rein.
Gaited dressage on the trail helped our training in 5 ways:
1) Passenger to Participant
Instead of being a passenger and let Lady follow the trail, I became an active participant in our relationship through the exercises and transitions,
2) Tuning Me Out to Listening
By being present with Lady and guiding our travels, it gave gave her a reason to stay dialed in to me instead of just following the trail.
3) Tension to Harmony
During our ride on the trail Lady lost the tension she had in the arena and we developed more harmony.
4) Fight and Flight to Trust
Working together on our journey through the woods helped Lady and I develop a partnership of trust. Lady began to listen to me for the next cue, release and reward. This helped establish me as the trusted leader of our relationship where Lady looked to me over her fight or flight defenses.
5) Developing the Basics of Gaited Dressage
While on the trail, we began to ride the elements of a low level gaited dressage test by establishing relaxation, rhythm, balance, connection, and forwardness, as well as developing harmony and softness. While I worked on applying effective aids and reinforcing a balanced riding position.
Lady seemed happy working gaited dressage on the trail. Come to think of it, so did I.
Dressage on the trail has become a new kind of training for me—training without walls in the beauty of nature which feeds my soul while freeing me of the rigidity and perfectionism that often plague me in the arena.
Let me know your thoughts if you’ve given dressage on the trail a try.
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