Tag Archives: Tennessee walking horse dressage

Gaited Dressage: The Feeling of Balance

Gaited Dressage: The Feeling of Balance

By Jennifer Klitzke

High scoring dressage tests award the horse and rider who demonstrate a culmination of rhythm (with energy and tempo), relaxation (elasticity and suppleness), connection (acceptance of the aids and bit), impulsion (energy and thrust, straightness with alignment and balance), and collection (engagement, self carriage, and lightness of the forehand) as they move through a series of gaits, transitions, and movements precisely on the letter. Gait quality, harmony, and submission are factors in scoring, as well as rider’s position and use of aids as they are applied to ride the horse through the required movements of the test.

From time to time I’ve seen “needs more balance” written on gaited dressage tests I’ve ridden. While I know that balance is a dressage essential, I began to explore the “feeling of balance” as I ride my naturally gaited Walking horse. What does it feel like when my horse is in balance? What does it feel like when my horse is out of balance? As the rider, how can I identify, restore and maintain my horse’s balance?

Recently two of my favorite traveling clinicians came to town: international bio-mechanics riding coach Mary Wanless and successful Grand Prix dressage rider Heather Blitz (who is also a long-time student of Mary’s). While Mary’s clinic helped each rider discover the feeling of a balanced riding position, Heather’s clinic offered metaphors to help rider’s get in touch with the feeling of their horse’s balance and offered terrific training tips whenever their horses lost balance. Both clinics featured trotting horses, yet the teachings of rider bio-mechanics and the feeling of balance certainly translate to the riding of gaited horses.

In regards to the feeling of balance, Heather encouraged riders to imagine a medicine ball inside the horse’s body while they rode and to notice where the weight of it tends to rest. If it feels like it rests in the horse’s chest then the horse tends to be more on the forehand, and if the medicine ball feels as if it is right beneath the rider’s seat, that indicates that the horse is more in balance with the rider.

Heather’s “medicine ball” metaphor has helped me gain rider awareness with the feeling of balance. My awareness of balance is an essential first step in me being able to guide my naturally gaited Walking horse into reposition her body as she learns better balance. Whenever my mare feels like her balance is in her chest instead of beneath my seat, or whenever she leans on the bit or rushes with short, quick strides, I calmly and quietly half half, halt or halt and softly rein back a couple steps until I feel her balance shift from in front of the saddle to under my seat. Then I calmly and gently cue her forward.

The more we practice this at a flatwalk, the more balanced steps we have in succession. It feels like my seat and my horse’s core snap together like a Lego, and we travel together as one unit with power from her hindquarters through her body, an engaged abdomen which lifts her back and withers, and the forward energy flows through my fists and pushes forward towards the bit with each head nod.

I’m so excited with how this feels and the difference it is making in our gaited dressage. Please share your thoughts as you experiment with the medicine ball metaphor and the feeling of balance.

Naturally Gaited Dressage

naturally gaited dressage by jennifer klitzke

By Jennifer Klitzke

To me naturally gaited dressage is a humane method of training and communicating with a horse that brings about beauty and harmony, balance, rhythm, relaxation, and suppleness, which results in gait quality. It develops a connection of trust and respect between horse and rider, and as the relationship grows in trust, understanding, skill and refinement, the horse and rider transform into a wonderful dance partnership without the use of heavy shoes, big bits and spurs, and mechanical devices.

I took my naturally gaited walking horse Makana to North Run Farm for our last schooling dressage show of the season. We were the only gaited entry among trotting horses. I bring her to schooling dressage shows because I like to get feedback from a professional eye as to where we are at in our training as it relates to balance, rhythm, gaits, impulsion, submission, harmony, rider position and effective use of aids, and accuracy of the required movements. It helps confirm areas of improvement and areas we still need to work on.

At the North Run show several spectators were given an introduction to dressage as it applies to the gaited horse. After every two test rides, the arena opened for ten minutes of schooling, so Makana’s expressive head shaking movement was quite the contrast as we warmed up with the trotting horses! Many onlookers had never seen a gaited horse ridden dressage style, barefoot and in a snaffle bit (without mechanical devices, big bits, and heavy shoes). Plus, the SMOOTH ride was evident in comparison to the bouncy sitting trot.

Thanks to the fine coaching I had received from Jennie Jackson this summer, the dressage judge remembered us from last year and commented on how we had made a noticeable improvement. We placed 5th of 9 in Training Level with a score of 67% and 4th of 6 in First Level with a score of 68.966%.

A huge thank you to my wonderful husband who volunteered to film my rides. (Wow, I love that man!)

Photos>

Video: Warming up with the Trotters

Video: 2011 NWHA Training Level Test Three

Age-defying Dressage with a Smooth Gaited Horse

age defying dressage with a gaited horse

When your body can no longer endure the sitting trot, it’s time to discover dressage with a naturally smooth gaited horse!

Age-Defying Dressage with a Smooth Gaited Horse

By Jennifer Klitzke

H-X-F, extended trot along the diagonal. Oh, dread, my German warmblood Seiltanzer has never been smooth to sit, especially at the extended trot, and over the last twenty years both of us have aged. Each stride has become more dislodging, resulting in back pain, sagging breasts seeming to hit me in the face with each step, and sometimes “splash”—the loss of bladder control! What began as a beautiful dance between horse and rider has now become a losing fight with gravity.

SeilTanzer
Jennifer Klitzke riding her dressage gelding SeilTanzer (1998)

In 2007, I joined other aging baby boomers and retired from showing hard-trotting horses, but I didn’t want to give up riding, especially the beautiful dance of dressage.

This quandary introduced me to the bounceless stride of the Tennessee walking horse, and I have learned that I’m not alone. The naturally gaited horse industry has seen a continual climb in popularity. Tennessee walking horses, Missouri foxtrotters, Rocky Mountain spotted horses, Icelandics, gaited mules, Paso Finos, and Peruvian Pasos are among these naturally smooth-gaited horse breeds. Not only that, I was thrilled to learn that dressage actually improves the gaited horse’s quality of movement. The principles of dressage build balance, forwardness, relaxation, suppleness, and engagement and can actually transform a pacey horse into a smooth four-beat gaiting dance partner.

Below are seven ways  that improve the naturally gaited horses’s quality of movement using the dressage I learned while riding trotting horses. These humane training methods transform an ordinary ride into a beautiful dance—even while on the trail!

1. Equipment: Just as it is no fun to dance with ill-fitting shoes, an uncomfortable horse is an unhappy dance partner. Dressage methods are best applied by riding with a well-fitted snaffle bit that encourages salivation and acceptance of the bit, as opposed to bits that are engineered for pain avoidance. Remember to loosely adjust the noseband so your horse is able to open its mouth. A tight noseband causes undue tension that can show itself throughout all dance expressions. Equally important is a properly fitting saddle that does not pinch the shoulders or touch the wither while you’re in the saddle.

2. Stretching: Begin and end each dance session with 5-10 minutes of a forward moving without rushing walk. Follow your horse’s side-to-side belly sway with your hip joints and encourage your horse to maximize each step deep under its body. Allow the horse to stretch forward, down and out. Stretching helps lengthen the naturally gaited horse’s topline muscles and increase a horse’s stride. Be careful that the horse’s poll doesn’t drop below the wither height, or the gaited horse will begin to fall onto the forehand. It is important that the gaited horse remains balanced over all four feet during the stretching.

Neck extension at a flat walk
This is a great example of a neck extension at a flat walk. My horse is engaged, lifting her back, stretching out, forward, and down at chest level with an even snaffle bit contact.

3. Transitions: Choreograph every ride with changes of direction and tempo to keep it interesting for you and your horse. Walk-canter-walk, halt-rein back-walk, and transitions from walk to gait and back every 5-10 steps are great exercises that will improve the communication between you and your equine dance partner. Transitions can improve your horse’s responsiveness and graciously establish you as the dance leader.

4. Bending: Twenty-meter circles, three-loop serpentines, spiraling in and out of a circle are great exercises to encourage a horse to bend through the neck, shoulders, and rib cage, and teach the horse to step deeper under its body with its hind leg steps. Bending exercises improve a horse’s balance, lighten the forehand to carry itself more poised, and help smooth out a rough gait.

Lateral exercises at a collected walk
Lateral exercises at a slow collected walk help the naturally gaited horse develop balance.

5. Lateral exercises: Zig-zag leg yields, turn on the haunches, turn on the forehand, haunches-in, shoulder-in, and half-pass are great dance moves to bring balance, supple and soften your gaited horse and build trust and communication between you and your dance partner.

6. Canter: It is a popular myth that cantering a gaited horse will ruin its naturally smooth four-beat gait. On the contrary, I have found that cantering actually improves my Walking Horse’s flat walk and running walk. Cantering up hills, in 20-meter circles, over ground rails and small jumps will strengthen your horse, lengthen its stride, and break up a pace.

canter
First level tests require 15 meter canter circles, working canter, canter lengthenings, and one loop counter canter serpentines.

7. Become a dressage student: There are a few gaited horse trainers and nationally known clinicians who I have learned from who use dressage methods to improve the movement of naturally gaited horses. Among them are Jennie Jackson, Larry Whitesell and Jennifer Bauer. Audit their clinics, read their books, and watch their training DVDs or find an open-minded traditional dressage instructor to help you and your gaited horse get started with suppling exercises.

Dressage will help your gaited horse improve its smooth, four-beat gaits, and make your horse a more mentally connected dance partner. Dressage with your smooth gaited horse can transform even a ride on the trail into a beautiful dance you can comfortably enjoy well into your senior years.


What are your thoughts? Please reach out and send me a message or stay connected by subscribing to the Naturally Gaited youtube channel and “like” us on facebook.com/naturallygaited.

Unique Breeds featured on CSDEA Site

csdea-foto-friday
Two unique breeds, a Tennessee walking horse and a Spanish Mustang, were featured on CSDEA Foto Friday showing that dressage and jumping can be applied with success whether the horse trots or gaits, and versatility training can be achieved by a rider of any age.

Continue reading Unique Breeds featured on CSDEA Site

Gaited Dressage at St George

2014-gaited-dressage-at-st-george-jennifer-klitzke-gift-of-freedom

By Jennifer Klitzke

After the TWH Celebration Show, my naturally gaited Tennessee walking horse and I were back to being the solo gaited horse/rider entry at the St. George Dressage Academy schooling dressage show held Saturday, August 9, 2014. One of the spectators saw us gaiting and asked if I would be trotting my gaited horse during the test. Was I ever glad that I had contacted the show manager ahead of time and received permission to ride the NWHA gaited dressage tests en gait, otherwise that’s what I’d be expected to do—trot!

Our NWHA Training Level Test Three and NWHA First Level Test One were among the 46 dressage tests ridden—Intro level through First level. Our training level test felt like our best yet with a respectable score of 66.8%. I attribute our success to Jennie Jackson who traveled to Minnesota for the second year in a row to teach a “Dressage as Applied to the Gaited Horse” clinic. Jennie really set us on course in establishing rhythm, connection, and forwardness without rushing. My mare is no longer “flat walkin’ in a tight skirt.” Her hind steps are deeper, more even and consistent, combined with a deeper and straighter head nod. Makana’s canter has also improved. While we love to see a true “four-beat” flatwalk, Makana has achieved a solid “three-beat” canter which is rounder and more engaged.

After our first level dressage test Judge Jim Hatch remarked, “Thank you for bringing your gaited horse to the show. This was a first for me!” I thanked him for his willingness to provide feedback for where we are at in our training. Even though my gaited horse doesn’t trot, the elements of dressage still apply: rhythm, balance, forwardness, harmony between horse and rider, acceptance of the bridle, rider’s correct and effective use of aids, rider’s position and seat, and precision of the required movements.

Thank you to St. George Dressage Academy for opening their beautiful tree-lined facility up for this venue as a chorus a song birds kept us company while we rode our tests.

Video: NWHA Training Level Test Three
httpv://youtu.be/-Iv6XNCcQfY