A high and light riding position

Why a High and Light Riding Position

Did you know there is a BIG difference between asking the horse to raise its head and neck vs pulling the reins back to force a high position?

Why a High and Light Riding Position

By Jennifer Klitzke

Living in the Northern Midwest without an indoor riding arena provides many months of book study. This winter I took a deep dive into Baucher’s second manner.

Many of the books I have been studying were written by Classical French Dressage Master Francois Baucher (1796–1873), his students, and others who have studied and applied Baucher’s second manner. During this era, ambling gaits were considered a fault and not developed like we do today with our naturally gaited horse breeds. Does this mean classical training doesn’t apply to our horses? I don’t think so. If you ask me dressage is more than trot.

My two favorite books regarding Baucher’s second manner are: Racinet Explains Baucher by the late Jean Claude Racinet and Methodical Dressage of the Riding Horse by Faverot de Kerbrech. Some of what I have been reading affirms my training, while I have also discovered more to apply.

Now that Spring has produced suitable riding weather, I couldn’t wait to get out and begin applying my studies. For this post, I’ll focus on a high and light position. There is a big difference between the rider asking the horse to lift its head and neck to find balance vs the rider pulling back on the reins to force a high position. I have been teaching my horses a high and light position for years, thanks to Classical French Dressage Master Philippe Karl’s DVDs and books. However, my winter book study has challenged me to encourage my horses to reach an even higher position than I had been asking―provided my horse maintains relaxation and lightness.

Asking for a high and light position

For years, I had been asking my horses to lift the head and neck for the purpose of relaxation, lightness, and balance. I have always introduced a snaffle bit from in hand exercises. Then from the saddle at a halt, followed by a slow walk, and then proceeded by a slow gait.

Anytime the horse loses relaxation, lightness, or balance, the horse is brough back to a halt to regain relaxed balance. Then the horse returns to the walk or gait. Whenever more tempo is added before the horse is trained in relaxed balance, the horse tends to lose relaxation and/or balance. That’s why starting at a halt is best and gradually adding tempo. For me, balance and relaxation are key to smooth gaits.

My book studies taught me a few more benefits this high and light position offer the horse beyond relaxation, lightness, and balance. Asking the horse to lift its head and neck high and light in relaxation causes the horse to engage the chest and abdominal muscles to raise the wither and bring the back to a neutral position, and it engages the hindquarters. This high and light position teaches the horse balance to best carry the weight of a rider.

Forcing a high position

When the rider forces a high position by pulling back on the reins, it causes the horse to hollow its back, the under-neck muscles bulge instead of rounding the top line muscles, and the hind quarter doesn’t engage. This position isn’t helpful for many reasons. It develops the wrong muscles. It makes the horse less able to produce a smooth gait. It is more difficult for the horse to carry a rider. It compromises the long-term soundness of the horse. Plus, it is unsightly.

Watch the video below and see how teaching your horse a high and light position with a snaffle bit helps the horse find balance and elegance. Plus, a naturally, smooth evenly timed gait!


I hope this is helpful. Let me know your thoughts by sending a message.

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